Table of Contents
Front Matter
| Editorial |
PDF
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|
Author not applicable |
[ii-iv] |
| Front Matter |
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Author not applicable |
[i; v-vi] |
Articles
| Gesture in Painting: Problems in Semiology |
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André Chastel |
1-22 |
| 'Gates Pure and Shining and Serene': Mutual Gazing as an Amatory Motif in Western Literature and Art |
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Robert Baldwin |
23-48 |
| Narration through Gesture in Giulio Romano's 'Sala di Troia' |
PDF
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Bette Talvacchia |
49-65 |
| Gesture in the Work of Rabelais |
PDF
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Eva Kushner |
67-77 |
| 'I am not made of stone': Theatrical Revision of Gesture in Shakespeare's Plays |
PDF
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Steven Urkowitz |
79-93 |
| Shakespeare and the Actor's Body |
PDF
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Alexander Leggatt |
95-108 |
| Eye and Hand on Shakespeare's Stage |
PDF
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John H. Astington |
109-121 |
| Mortification on Parade: Penitential Processions in Sixteenth- and Seventeenth-Century France |
PDF
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Robert A. Schneider |
123-146 |
| 'Nature as Symbolic Behavior': Cresol’ s Autumn Vacations and Early Baroque Acting Technique |
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Alfred S. Golding |
147-157 |
© 1964-2012 Canadian Society for Renaissance Studies / Société canadienne d'études de la Renaissance; the Pacific Northwest Renaissance Society; the Toronto Renaissance and Reformation Colloquium; and The Centre for Reformation and Renaissance Studies, Victoria University in the University of Toronto. Unauthorized reproduction of any part of this site is prohibited.
