| Books Received / Livres reçus |
|
|
Author not applicable |
101-105 |
| The Occasional Meditations of Mary Rich, Countess of Warwick |
|
|
Mary Rich (book author), Raymond A. Anselment (book editor), Victoria E. Burke (review author) |
107-109 |
| Becoming Venetian: Immigrants and the Arts in Early Modern Venice |
|
|
Blake De Maria (book author), Sally Hickson (review author) |
115-117 |
| Agrippa d’Aubigné, épistolier : des lettres à l’oeuvre |
|
|
Barbara Ertlé-Perrier (book author), Agnès Conacher (review author) |
117-120 |
| Utopia. Norton Critical Editions, 3rd ed. |
|
|
Thomas More (book author), George M. Logan (book editor), Robert Appelbaum (review author) |
130-133 |
| The Cambridge Companion to Machiavelli |
|
|
John M. Najemy (book editor), Mauricio Suchowlansky (review author) |
133-136 |
| The Patron’s Payoff: Conspicuous Commissions in Italian Renaissance Art |
|
|
Jonathan K. Nelson (book author), Richard J. Zeckhauser (book author), Sally Hickson (review author) |
136-138 |
| Leonardo da Vinci and the Art of Sculpture |
|
|
Gary M. Radke (book author), Martin Kemp (book contributor), Filomena Calabrese (review author) |
139-141 |
| De statu primi hominis ante lapsum disputatio |
|
|
Fausto Sozzini (book author), Francesco Pucci (book author), Mario Biagioni (book editor), Peter Bietenholz (review author) |
144-146 |
| Documents of Performance in Early Modern England |
|
|
Tiffany Stern (book author), Farah Karim-Cooper (review author) |
147-149 |
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