Table of Contents
Front Matter
| Front matter |
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Author not applicable |
1-3 |
| Avviso ai lettori |
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Francesco Guardiani |
5-6 |
Articoli
| La vecchiaia femminile nella poesia toscana del XV secolo |
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Patrizia Bettella |
7-23 |
| The Iconography of Death in Michelangelo's Lyric Poetry |
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Santa Casciani |
25-39 |
| Leone De Sommi and the archaeology of the director's workbook |
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Anna Migliarisi |
41-49 |
| Arnalta, Monteverdi and the Incogniti |
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Richard Partington |
51-61 |
| Il linguaggio filmico ed artistico nel cinema di Antonioni, i suoi paradossi e lo spazio della critica |
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Paolo Cianfrone |
63-78 |
| Zanzotto tra i filosofi: Hegel, Heidegger, Derrida |
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Alessandro Carrera |
79-100 |
| ‘Dialoghi mancati': Uses of Silence, Reticence and Ellipsis in the Fiction of Antonio Tabucchi |
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Marina Spunta |
101-113 |
| The Cruciform Commedia: An Iconographic Approach |
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Mary Alexandra Watt |
115-135 |
Note e Rassegne
| Un uomo di carattere di Paola Capriolo: il movimento impossibile |
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Giovanna De Luca |
137-143 |
Recensioni
| Half-serious Rhymes. The Narrative Poetry of Luigi Pulci |
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Mark Davie (book author), Alessandro Polcri (review author) |
145-148 |
| Machiavelli |
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Maurizio Viroli (book author), Sheila Das (review author) |
148-149 |
| Padua and the Tudors: English Students in Italy, 1485-1603 |
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Jonathan Woolfson (book author), Laura E. Hunt (review author) |
149-150 |
| Mongolfiere e canarini. Il carteggio Parisetti-Buonafede (1782-1784) e la cultura settecentesca |
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Paolo Bernardini (book author), Sandra Parmegiani (review author) |
150-152 |
| Interpretazioni e letture del "Giorno" |
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Gennaro Barbarisi (book editor), Edoardo Esposito (book editor), Sandra Parmegiani (review author) |
152-154 |
| Transfigurations. The Autobiographical Novels of Sibilla Aleramo |
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Anna Grimaldi Morosoff (book author), Anne Urbancic (review author) |
155-156 |
| Luigi Pirandello intimo |
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Renata Marsili Antonetti (book author), Antonio Alessio (review author) |
156-158 |
| La poetica neobarocca in Calvino |
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Simonetta Chessa Wright (book author), Paolo Cianfrone (review author) |
158-161 |
| Dario Fo and Popular Performance |
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Antonio Scuderi (book author), Erith Jaffe-Berg (review author) |
161-162 |
Of Dissimulation: Allegory and Irony in Dante's Commedia;
Sulle sponde del Prepurgatorio. Poesia e arte narrativa nel preludio all'ascesa |
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Massimo Verdicchio (author, first book), Antonio Illiano (author, second book), Mary Alexandra Watt (review author) |
163-164 |
| The "Weak" Subject. On Modernity, Eros, and Women's Playwriting |
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Serena Anderlini-D'Onofrio (book author), Giuliana Sanguineti-Katz (review author) |
165-166 |
| Feminine Feminists. Cultural Practices in Italy |
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Giovanna Miceli-Jeffries (book editor), Lucienne Kroha (review author) |
166-169 |
| A Semiotic of Ethnicity: In (Re) cognition of the Italian/American Writer |
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Anthony Julian Tamburri (book author), Robert Buranello (review author) |
169-172 |
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