Table of Contents
Front Matter
| Front matter |
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Author not applicable |
1-3 |
| Foreword |
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Olga Zorzi Pugliese |
5-6 |
Articoli
| "I don't know whether I'm dreaming now, or if I dreamed what I'm about to tell you": Filippo Brunelleschi and the Perspectives of Sleep in the novella of the Fat Woodcarver |
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Lorenzo Bartoli |
7-20 |
| The Grotesque 'World Beyond' From Boccaccio to Curione. Notes on the Parodic Vision Between the Middle Ages and the Renaissance |
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Luca D’Ascia |
21-40 |
| Anton Francesco Doni and the Building of Dreams |
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Raffaele Girardi |
41-60 |
| Type, Antitype, Figure, and Exemplum: Dream and Vision in Tasso's Epic Poetry |
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Mario D’Alessandro |
61-76 |
| 'Sleep' - 'Dream' — 'Vision': Some Signifiers and designata in Latin and the Romance Languages |
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Carla Marcato |
77-96 |
| L'unité d'action face à la modernité de Giraldi Cinzio. Le Discours sur la composition des romants (1554) et la tradition narrative française |
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Mawy Bouchard |
97-108 |
| Mettere in scena Tasso oggi: L'Aminta tra filologia letteraria e interpretazione registica |
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Gian Giacomo Colli |
109-121 |
Recensioni
| The Theatre of Angelo Beolco (Ruzzante). Text, Context and Performance |
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Ronnie Ferguson (book author), Michelangelo Zaccarello (review author) |
123-126 |
| The Universities of the Italian Renaissance |
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Paul F. Grendler (book author), Chris L. Nighman (review author) |
127-128 |
| La negazione dell'eros nell'Aminta di Torquato Tasso |
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Maria Adelaide Caponigro (book author), Maria Laura Mosco (review author) |
128-130 |
| The Premodern Teenager. Youth and Society 1150-1650 |
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Konrad Eisenbichler (book editor), Julius Kirshner (review author) |
130-133 |
| The Figino, or On the Purpose of Painting:' Art Theory in the Late Renaissance |
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Gregorio Comanini (book author), Ann Doyle-Anderson (book translator), Giancarlo Maiorino (book translator), Cathleen Hoeniger (review author) |
133-136 |
| Petrarca. Das Schweigen der Veritas und die Worte des Dichters |
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Joachim Küpper (book author), Outi Merisalo (review author) |
136-137 |
| Le insidie dell'allegoria: Ermolao Barbaro il Vecchio e la lezione degli antichi |
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Maria Esposito Frank (book author), John Monfasani (review author) |
138-139 |
| Daily Life in Renaissance Italy |
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Elizabeth S. Cohen (book author), Thomas V. Cohen (book author), John Gagné (review author) |
140-141 |
| Renaissance Women Patrons: Wives and Widows in Italy (c. 1300-1550) |
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Catherine King (book author), Vera F. Golini (review author) |
141-144 |
| Dolce's “Aretino” and Venetian Art Theory of the Cinquecento |
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Mark W. Roskill (book editor and translator), Robert Buranello (review author) |
144-146 |
| Convent Theatre in Early Modern Italy: Spiritual Fun and Learning for Women |
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Elissa B. Weaver (book author), Ellen Case (review author) |
147-148 |
| Humanism and Education in Medieval and Renaissance Italy: Tradition and Innovation in Latin Schools from the Twelfth to the Fifteenth Century |
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Robert Black (book author), Christopher S. Celenza (review author) |
148-152 |
| 'In the Footsteps of the Ancients': The Origins of Humanism from Lovato to Bruni |
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Ronald Witt (book author), W. Scott Blanchard (review author) |
152-153 |
| The Italian Tragedy in the Renaissance. Cultural Realities and Theatrical Innovations |
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Salvatore Di Maria (book author), Mauda Bregoli-Russo (review author) |
153-156 |
| Poeti del Cinquecento. vol. 1. Poeti lirici, burleschi, satirici e didascalici |
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Guglielmo Gorni (book editor), Massimo Danzi (book editor), Silvia Longhi (book editor), Patrizia Bettella (review author) |
156-158 |
Back Matter
| Contributors |
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Author not applicable |
159-160 |
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