Table of Contents
Front Matter
| Inside Front Cover | |
| Author not applicable |
| Contents | |
| Author not applicable | 1-3 |
| Preface | |
| Gabriele Scardellato | 5-8 |
Articoli
| Uncompromising Gaze: The Art of Albert Chiarandini O.S.A., F.I.I.A.L. | |
| Olga Zorzi Pugliese, Guido Pugliese, Angelo Principe | 9-35 |
| Malocchio in Nino Ricci’s Lives Of The Saints | |
| Michela Baldo | 37-60 |
| CHIN Radio and its Listeners: A Negotiation in the Post-War Commerce of Ethnicity | |
| Michele Amatiello | 61-80 |
| “Manage, Negotiate, and Challenge Identities”: Young Italian-Canadian Identities from the Eyetalian Perspective | |
| Domenico Servello | 81-106 |
| Zoppola, Zoppolani and Migration to Western Canada: A Sample Study | |
| Gabriella Colussi Arthur | 107-132 |
Recensioni
| Perché Dante? Translation of Understanding Dante | |
| John A. Scott (book author), Mary Watt (review author) | 133-134 |
| Non al suo amante più Diana piacque. I miti venatori nella letteratura italiana (Lingue e letterature Carocci, 106) | |
| Janis Vanacker (book author), Tania Zampini (review author) | 134-136 |
| The World of the Florentine Renaissance Artist. Projects and Patrons, Workshops and Art Market (Renaissance Society of America Reprint Texts, 18) | |
| Martin Wackernagel (book author), Alison Luchs (book translator), Sarah Rolfe Prodan (review author) | 136-138 |
| “Io, ultimo figlio degli Elleni”. La grecità impura di Gabriele D’Annunzio | |
| Emanuela Scicchitano (book author), Marja Härmänmaa (review author) | 138-140 |
| Her Maestro’s Echo. Pirandello and the Actress Who Conquered Broadway in One Evening | |
| Pietro Frassica (book author), Giuliana Sanguinetti Katz (review author) | 140-142 |
| The Tomb of the Unknown Soldier, Modern Mourning, and the Reinvention of the Mystical Body | |
| Laura Wittman (book author), Sheila Batacharya (review author) | 142-144 |
| In un concerto di voci amiche. Studi di Letteratura italiana dell’Otto e Novecento in onore di Donato Valli | |
| Marinella CosiCantelmo (book editor), Antonio Lucio Giannone (book editor), Patrizia Bettella (review author) | 144-149 |
| Memoria collettiva e memoria privata: il ricordo della Shoah come politica sociale | |
| Stefania Lucamante (book editor), Monica Jansen (book editor), Raniero Speelman (book editor), Silvia Gaiga (book editor), Millicent Marcus (review author) | 149-153 |
| “Una farfalla chiamata Solaria” tra l’Europa e il romanzo | |
| Roberto Ludovico (book author), Corrado Federici (review author) | 153-155 |
| Italian Women's Theatre, 1930-1960. An Anthology of Plays | |
| Daniela Cavallaro (book translator), Laura A. Salsini (review author) | 155-156 |
| Alice Street: A Memoir | |
| Richard Valeriote (book author), Matteo Sanfilippo (review author) | 156-158 |
| Un italiano diverso. Giacomo Matteotti | |
| Gianpaolo Romanato (book author), Angelo Principe (review author) | 158-160 |
| Contemporary Italian Cinema: Images of Italy at the Turn of the Century | |
| Anthony Cristiano (book author), Paola Basile (review author) | 160-162 |
| I “pori” di Napoli. Il cinema di Mario Martone, Antonio Capuano e Pappi Corsicato | |
| Roberta Tabanelli (book author), Marzia Caporale (review author) | 163-164 |
| La scrittura terapeutica. Saggio su Gianni Celati | |
| Anna Maria Chierici (book author), Marina Spunta (review author) | 164-166 |
| “L’indomabile furore.” Sondaggi su Domenico Rea | |
| Annalisa Carbone (book author), Corrado Federici (review author) | 167-168 |
| Non incoraggiate il romanzo: sulla narrativa italiana | |
| Alfonso Berardinelli (book author), Marcello Sabbatino (review author) | 168-169 |
| I giovani raccontano gli anziani. Il contributo del VideoConcorso Francesco Pasinetti alla riflessione su invecchiamento, dialogo intergenerazionale e trasmissione culturale in Italia | |
| Rita Cavigioli (book author), Sarah Carey (review author) | 170-171 |
Back Matter
| Contributors | |
| Author not applicable | 173-174 |
| Inside Back Cover | |
| Author not applicable |
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