Browse Title Index


 
Issue Title
 
Vol 20, No 1 (2017) The Hand on the Shakespearean Stage: Gesture, Touch and the Spectacle of Dismemberment Details
Farah Karim-Cooper (book author), Miranda Fay Thomas (review author)
 
Vol 12, No 1 (2009) The Heart in the Age of Shakespeare Details   PDF
William W. E. Slights (book author), Johnathan H. Pope (review author)
 
Vol 7, No 1 (2004) The Idolatrous Eye: Iconoclasm & Theater in Early Modern England Details   PDF
Michael O'Connell (book author), Jacqueline Vanhoutte (review author)
 
Vol 1 (1998) The Kirk, the Burgh, and Fun Abstract   PDF
John J. McGavin
 
Vol 14, No 2 (2011): Special Issue: Circles and Circuits: Drama and Politics in the Midlands The Magistrate — and Humorous Magistrates — in Early Seventeenth-Century England Abstract   PDF
Louis A. Knafla
 
Vol 20, No 1 (2017) The Masters of the Revels and Elizabeth I’s Court Theatre Details
W. R. Streitberger (book author), Curtis Perry (review author)
 
Vol 2 (1999) The Meaning of Thunder and Lightning: Stage Directions and Audience Expectations Abstract   PDF
Leslie Thomson
 
Vol 3 (2000): Special Volume: The York Cycle Then and Now The Medieval Pageant Wagons at York: Their Orientation and Height Abstract   PDF
John McKinnell
 
Vol 4 (2001) The Medieval Theater of Cruelty: Rhetoric, Memory, Violence Details   PDF
Jody Enders (book author), David Bevington (review author)
 
Vol 6, No 2 (2003): Special Volume: Performance, Politics, and Culture in the Southwest of Britain,
1350-1642, Part 2
The Oxford Companion to Shakespeare Details   PDF
Michael Dobson (book editor), Stanley Wells (book editor), Peter Hyland (review author)
 
Vol 20, No 1 (2017) The Oxford Dictionary of Original Shakespearean Pronunciation Details
David Crystal (book author), Sarah Grandage (review author)
 
Vol 3 (2000): Special Volume: The York Cycle Then and Now The Pageant Wagon as Iconic Site in the York Cycle Abstract   PDF
Ralph Blasting
 
Vol 5, No 1 (2002) The Performance of Disguise Abstract   PDF
Peter Hyland
 
Vol 5, No 1 (2002) The Politics of Carnival: Festive Misrule in England Details   PDF
Chris Humphey (book author), Kathleen Ashley (review author)
 
Vol 9, No 1 (2006) The Queen's Majesty's Passage and Related Documents Details   PDF
Germaine Warkentin (book editor), Anthony Miller (review author)
 
Vol 4 (2001) The Queen's Men and their Plays Details   PDF
Scott McMillin (book author), Sally-Beth MacLean (book author), A. R. Braunmuller (review author)
 
Vol 15, No 2 (2012) The Raw and the Cooked in Ford’s ’Tis Pity She’s a Whore Abstract   PDF
Mathew R. Martin
 
Vol 10, No 1 (2007) The Reasons of Misrule Revisited: Evangelical Appropriations of Carnival in Tudor Revels Abstract   PDF
Robert Hornback
 
Vol 10, No 1 (2007) The Red Lion and the White Horse: Inns Used by Patronized Performers in Norwich, 1583-1624 Abstract   PDF
Jennifer Roberts-Smith
 
Vol 9, No 2 (2006) The Repertory of Prince Charles's (I) Company, 1608-1625 Abstract   PDF
David Nicol
 
Vol 12, No 1 (2009) The Rise of Commercial Playing in 1540s London Abstract   PDF
David Kathman
 
Vol 6, No 1 (2003): Special Volume: Performance, Politics, and Culture in the Southwest of Britain,
1350-1642
The Shakespearean International Yearbook 1: Where Are We Now in Shakespearean Studies? Details   PDF
W. R. Elton (book editor), John M. Mucciolo (book editor), Alexander Leggatt (review author)
 
Vol 12, No 2 (2009) The Singing 'Vice': Music and Mischief in Early English Drama Abstract   PDF
Maura Giles-Watson
 
Vol 15, No 1 (2012): Special Issue: Access and Contestation: Women’s Performance in Early Modern England, Italy, France, and Spain The Spanish Actress’s Art: Improvisation, Transvestism, and Disruption in Tirso’s El vergonzoso en palacio Abstract   PDF
Amy L. Tigner
 
Vol 13, No 1 (2010) The Stuart Court Masque and Political Culture Details   PDF
Martin Butler (book author), Kirsten A. Inglis (review author)
 
Vol 11, No 1 (2008) The Tamer Tamed, or The Woman's Prize Details   PDF
Celia R. Daileader (book editor), Gary Taylor (book editor), Lucy Munro (review author)
 
Vol 4 (2001) The Thief, the Cross and the Wheel: Pain and the Spectacle of Punishment in Medieval and Renaissance Europe Details   PDF
Mitchell B. Merback (book author), Garrett P. J. Epp (review author)
 
Vol 8, No 1 (2005) The Tragedy of Mariam: The Fair Queen of Jewry Details   PDF
Elizabeth Cary (book author), Stephanie Hodgson-Wright (book editor), Nancy A. Gutierrez (review author)
 
Vol 16, No 1 (2013) The Troublesome Reign of John, King of England Abstract   PDF
Charles R. Forker (book editor), Karen Oberer (review author)
 
Vol 17, No 1 (2014) The Twelfth-Century Story of Daniel for Performance by Hilarius: An Introduction, Translation, and Commentary Abstract   PDF
Stephen K. Wright
 
Vol 4 (2001) The Voice of Elizabethan Stage Directions: The Evolution of a Theatrical Code Details   PDF
Linda McJannet (book author), R. A. Foakes (review author)
 
Vol 1 (1998) The Waits of Lincolnshire Abstract   PDF
James Stokes
 
Vol 16, No 1 (2013) The Will of Simon Jewell and the Queen’s Men Tours in 1592 Abstract   PDF
Chiaki Hanabusa
 
Vol 10, No 1 (2007) The Work of Elizabethan Plotters, and 2 The Seven Deadly Sins Abstract   PDF
Andrew Gurr
 
Vol 11, No 1 (2008) The Works of John Webster: An Old-Spelling Critical Edition Details   PDF
David Gunby (book editor), David Carnegie (book editor), MacDonald P. Jackson (book editor), Peter Malin (review author)
 
Vol 1 (1998) The York Cycle in Performance: Toronto and York. Acting The Text: York Mystery Plays In York, 12 July 1998 Details   PDF
David Mills
 
Vol 1 (1998) The York Cycle in Performance: Toronto and York. Addenda: The Play Lists Details   PDF
Author not applicable
 
Vol 1 (1998) The York Cycle in Performance: Toronto and York. Context and Performance: The York Plays at Toronto Details   PDF
David Bevington
 
Vol 1 (1998) The York Cycle in Performance: Toronto and York. Playing in all directions: The York Plays, Toronto Details   PDF
Garrett Epp
 
Vol 1 (1998) The York Cycle in Performance: Toronto and York. The Toronto York Cycle: Design and Technical Display Details   PDF
Ralph Blasting
 
Vol 1 (1998) The York Cycle in Performance: Toronto and York. The Two Yorks: Playing in Toronto and York Details   PDF
Peter Meredith
 
Vol 1 (1998) The York Cycle in Performance: Toronto and York. [Introduction] Details   PDF
Barbara Palmer
 
Vol 19, No 2 (2016) The ‘Comedy of a Duke of Ferrara’ in 1598 Abstract
Matthew Steggle
 
Vol 8, No 1 (2005) Theatre and Empire: Great Britain on the London Stage under James VI and I Details   PDF
Tristan Marshall (book author), David Baker (review author)
 
Vol 19, No 2 (2016) Theatre and Neighbourhood in Early Modern London; Introduction: Exploring Neighbourhoods Abstract
Christopher Highley (author and contributing editor)
 
Vol 15, No 2 (2012) Theatre and the Reformation of Space in Early Modern Europe. Introduction: Playing with Space in the Early Modern Theatre Details   PDF
Paul Yachnin (author and contributing editor)
 
Vol 15, No 2 (2012) Theatre and the Reformation of Space in Early Modern Europe. Performance, Print, and the Senses: Aretino and the Spaces of the City Details   PDF
Marlene Eberhart, Paul Yachnin (contributing editor)
 
Vol 15, No 2 (2012) Theatre and the Reformation of Space in Early Modern Europe. Theatre of Judgment: Space, Spectators, and the Epistemologies of Law in Bartholomew Fair Details   PDF
Andrew Brown, Paul Yachnin (contributing editor)
 
Vol 15, No 2 (2012) Theatre and the Reformation of Space in Early Modern Europe. ‘The Great Choreographer’: Embodying Space in Fuenteovejuna Details   PDF
Laura L. Vidler, Paul Yachnin (contributing editor)
 
Vol 15, No 2 (2012) Theatre and the Reformation of Space in Early Modern Europe. ‘The Hole in the Wall’: Sacred Space and ‘Third Space’ in The Family of Love Details   PDF
Helga L. Duncan, Paul Yachnin (contributing editor)
 
Vol 15, No 2 (2012) Theatre and the Reformation of Space in Early Modern Europe. ‘What makes thou upon a stage?’: Child Actors, Royalist Publicity, and the Space of the Nation in the Queen’s Men’s True Tragedy of Richard the Third Details   PDF
Jennifer Roberts-Smith, Paul Yachnin (contributing editor)
 
Vol 16, No 2 (2013) Theatre and/as Witchcraft: A Reading of The Late Lancashire Witches (1634) Abstract   PDF
Charlotte A. Coffin
 
Vol 17, No 1 (2014) Theatre, Community, and Civic Engagement in Jacobean London Abstract   PDF
Mark Bayer (book author), Tom Rutter (review author)
 
Vol 1 (1998) Theatrical Citings and Bitings: Some References to Playhouses and Players in London Consistory Court Depositions, 1586-1611 Abstract   PDF
Loreen L. Giese
 
Vol 4 (2001) This Is My Body: Representational Practices in the Early Middle Ages Details   PDF
Michal Kobialka (book author), Lawrence M. Clopper (review author)
 
Vol 20, No 1 (2017) This Orient Isle: Elizabethan England and the Islamic World Details
Jeremy Brotton (book author), Richard Allen Cave (review author)
 
Vol 11, No 1 (2008) Thomas Heywood and the Portrayal of Female Benefactors in Post-Reformation England Abstract   PDF
Robert Tittler
 
Vol 4 (2001) Three Tragedies by Renaissance Women Details   PDF
Diane Purkiss (book editor), Marta Straznicky (review author)
 
Vol 14, No 1 (2011) Thunder at a Playhouse: Essaying Shakespeare and the Early Modern Stage Details   PDF
Peter Kanelos (book editor), Matt Kozusko (book editor), Helen Ostovich (review author)
 
Vol 3 (2000): Special Volume: The York Cycle Then and Now Time, Meaning, and Transcendence: Directing The Incredulity of Thomas Details   PDF
Gwendolyn Waltz
 
Vol 4 (2001) Timing Theatrical Action in the English Medieval Theatre Abstract   PDF
Philip Butterworth
 
Vol 14, No 2 (2011): Special Issue: Circles and Circuits: Drama and Politics in the Midlands Title Page Details   PDF
Author not applicable
 
Vol 11, No 1 (2008) Touring, Women, and the English Professional Stage Abstract   PDF
Sara Mueller
 
Vol 10, No 1 (2007) Traffic and Turning: Islam and English Drama, 1579-1624 Details   PDF
Jonathan Burton (book author), Matthew Dimmock (review author)
 
Vol 4 (2001) Transgressive Language in Medieval English Drama Details   PDF
Lynn Forest-Hill (book author), Edwin D. Craun (review author)
 
Vol 11, No 1 (2008) Transversal Enterprises in the Drama of Shakespeare and his Contemporaries: Fugitive Explorations Details   PDF
Bryan Reynolds (book author), Adam Max Cohen (review author)
 
Vol 10, No 1 (2007) Troilus and Cressida Details   PDF
Frances A. Shirley (book editor), Peter Hyland (review author)
 
Vol 20, No 1 (2017) Trumpeters from China in Bristol in 1577? Abstract
Matteo Pangallo
 
Vol 14, No 2 (2011): Special Issue: Circles and Circuits: Drama and Politics in the Midlands Trying to be Diplomatic: Editing The Humorous Magistrate Abstract   PDF
Margaret Jane Kidnie
 
Vol 6, No 1 (2003): Special Volume: Performance, Politics, and Culture in the Southwest of Britain,
1350-1642
Twelfth Night Details   PDF
Bruce R. Smith (book editor), Yu Jin Ko (review author)
 
Vol 12, No 1 (2009) Twelfth Night; Timon of Athens Details   PDF
Keir Elam (editor, first book), Anthony B. Dawson (editor, second book), Gretchen E. Minton (editor, second book), Peter Malin (review author)
 
Vol 12, No 1 (2009) Two Manuscript Comments by Early Readers in The Works of Mr John Marston (1633) Abstract   PDF
Blago Blagoev
 
Vol 12, No 2 (2009) Vengeance, Variously: Revenge Before Kyd in Early Elizabethan Drama Abstract   PDF
Bradley J. Irish
 
Vol 13, No 2 (2010) Venice in ’Tis Pity She’s a Whore Abstract   PDF
Lisa Hopkins
 
Vol 3 (2000): Special Volume: The York Cycle Then and Now Verbal Texture and Wordplay in the York Cycle Abstract   PDF
Richard Beadle
 
Vol 13, No 1 (2010) Violence Against Women in Early Modern Performance: Invisible Acts Details   PDF
Kim Solga (book author), Catherine Silverstone (review author)
 
Vol 6, No 1 (2003): Special Volume: Performance, Politics, and Culture in the Southwest of Britain,
1350-1642
Vision and Rhetoric in Shakespeare: Looking Through Language Details   PDF
Alison Thorne (book author), Christy Desmet (review author)
 
Vol 9, No 1 (2006) Voyage Drama and Gender Politics 1589-1642: Real and Imagined Worlds Details   PDF
Claire Jowitt (book author), M. G. Aune (review author)
 
Vol 18, No 1 (2015) Waterborne Pageants and Festivities in the Renaissance: Essays in Honour of J. R. Mulryne Abstract   PDF
Margaret Shewring (book editor), Steve Mentz (review author)
 
Vol 1 (1998) Where Have All the Players Gone? A Chester Problem Abstract   PDF
David Mills
 
Vol 12, No 1 (2009) William Percy’s Mahomet and His Heaven: A Critical Edition Details   PDF
Matthew Dimmock (book editor), Jonathan Burton (review author)
 
Vol 15, No 1 (2012): Special Issue: Access and Contestation: Women’s Performance in Early Modern England, Italy, France, and Spain Women and Performance in Medieval and Early Modern Suffolk Abstract   PDF
James Stokes
 
Vol 11, No 1 (2008) Women as Hamlet: Performance and Interpretation in Theatre, Film and Fiction Details   PDF
Tony Howard (book author), Bridget Escolme (review author)
 
Vol 12, No 1 (2009) Women, Medicine and Theatre, 1500–1750: Literary Mountebanks and Performing Quacks. Studies in Performance and Early Modern Drama Details   PDF
M. A. Katritzky (book author), Rosalind Kerr (review author)
 
Vol 15, No 1 (2012): Special Issue: Access and Contestation: Women’s Performance in Early Modern England, Italy, France, and Spain Women on the Stage in Early Modern France, 1540–1750 Details   PDF
Virginia Scott (book author), Claire Sponsler (review author)
 
Vol 3 (2000): Special Volume: The York Cycle Then and Now Works Cited Details   PDF
Author not applicable
 
Vol 14, No 1 (2011) Writing and Reading Royal Entertainments From George Gascoigne to Ben Jonson Details   PDF
Gabriel Heaton (book author), Elizabeth Zeman Kolkovich (review author)
 
Vol 3 (2000): Special Volume: The York Cycle Then and Now York Cycle 1998: What We Learned Details   PDF
Alexandra F. Johnston
 
Vol 9, No 2 (2006) York Guilds and the Corpus Christi Plays: Unwilling Participants? Abstract   PDF
Clifford Davidson
 
Vol 19, No 1 (2016) Youth and Privacy in Romeo and Juliet Abstract
Rachel Prusko
 
Vol 19, No 1 (2016) ‘A Mad-Cap Ruffian and a Swearing Jack’: Braggart Courtship from Miles Gloriosus to The Taming of the Shrew Abstract
Philip D. Collington
 
Vol 19, No 2 (2016) ‘An Honest Pair of Oars’: Players, Watermen, and A Chaste Maid in Cheapside Abstract
Christi Spain-Savage, Christopher Highley (contributing editor)
 
Vol 17, No 1 (2014) ‘Bogus History’ and Robert Greene’s Friar Bacon and Friar Bungay Abstract   PDF
David M. Bergeron
 
Vol 16, No 1 (2013) ‘Bound up and clasped together’: Bookbinding as Metaphor for Marriage in Richard Brome’s The Love-Sick Court Abstract   PDF
Eleanor Lowe
 
Vol 15, No 1 (2012): Special Issue: Access and Contestation: Women’s Performance in Early Modern England, Italy, France, and Spain ‘Cattle of this colour’: Boying the Diva in As You Like It Abstract   PDF
Pamela Allen Brown
 
Vol 12, No 1 (2009) ‘Falling to a diuelish exercise’: The Copernican Universe in Christopher Marlowe’s Doctor Faustus Abstract   PDF
Gabrielle Sugar
 
Vol 16, No 2 (2013) ‘For now hath time made me his numbering clock’: Shakespeare’s Jacquemarts Abstract   PDF
Wendy Beth Hyman
 
Vol 18, No 2 (2015) ‘Here may we se a merveyl one’: Miracles and the Psalter in the N-Town ‘Marriage of Mary and Joseph’ Abstract   PDF
Frank M. Napolitano
 
Vol 19, No 2 (2016) ‘I trac’d him too and fro’: Walking the Neighbourhood on the Early Modern Stage Abstract
Rebecca Tomlin, Christopher Highley (contributing editor)
 
Vol 18, No 2 (2015) ‘I will keep and character that name’: Dramatis Personae Lists in Early Modern Manuscript Plays Abstract   PDF
Matteo Pangallo
 
Vol 15, No 1 (2012): Special Issue: Access and Contestation: Women’s Performance in Early Modern England, Italy, France, and Spain ‘If I had begun to dance’: Women’s Performance in Kemps Nine Daies Wonder Abstract   PDF
Peter Parolin
 
Vol 15, No 1 (2012): Special Issue: Access and Contestation: Women’s Performance in Early Modern England, Italy, France, and Spain ‘In the sight of all’: Queen Elizabeth and the Dance of Diplomacy Abstract   PDF
Bella Mirabella
 
Vol 19, No 2 (2016) ‘Our Children Made Enterluders’: Choristers, Actors, and Students in St Paul’s Cathedral Precinct Abstract
Roze F. Hentschell, Christopher Highley (contributing editor)
 
Vol 20, No 1 (2017) ‘Public’ and ‘Private’ Playhouses in Renaissance England: The Politics of Publication Details
Eoin Price (book author), Holger Schott Syme (review author)
 
Vol 14, No 1 (2011) ‘Sette on foote with gode Wyll’: Towards a Reconstruction of Robin Hood and the Sheriff of Nottingham Abstract   PDF
Alexis Butzner
 
Vol 20, No 1 (2017) ‘Sick interpreters’: Criticizing Historical Adaptations of Cardinal Wolsey in Shakespeare’s Henry VIII Abstract
Nadia Thérèse Van Pelt
 
Vol 17, No 1 (2014) ‘The cunning of their ground’: The Relevance of Sejanus to Renaissance Tragedy Abstract   PDF
Peter Byrne
 
Vol 14, No 2 (2011): Special Issue: Circles and Circuits: Drama and Politics in the Midlands ‘The Pen lookes to be canoniz’d’: John Newdigate III, Author and Scribe Abstract   PDF
Kirsten Inglis, Boyda Johnstone
 
Vol 12, No 1 (2009) ‘These bookes, as I heare, are all cawled in’: Dance and Choreographic Records from the Stuart Masques Abstract   PDF
Jennifer Nevile
 
Vol 18, No 1 (2015) ‘This Citie of insufficience’: Heraldic Text and the Representation of Authority in York’s 1486 Entertainment for Henry VII Abstract   PDF
Lloyd Edward Kermode
 
Vol 16, No 1 (2013) ‘This place was made for pleasure not for death’: Performativity, Language, and Action in The Spanish Tragedy Abstract   PDF
Alexandra S. Ferretti
 
Vol 14, No 2 (2011): Special Issue: Circles and Circuits: Drama and Politics in the Midlands ‘This rare Poetesse’: The Remains of Lady Jane Burdett Abstract   PDF
Mary Polito
 
Vol 17, No 2 (2014) ‘To all kinde of estates I meane for to trudge’: Making Room for the Commoners in Cambises Abstract   PDF
Maya Mathur
 
Vol 16, No 2 (2013) ‘Wanton Females of All Sorts’: Spectatorship in The Antipodes Abstract   PDF
Nova Myhill
 
Vol 18, No 2 (2015) ‘We have this day, expell’d our Men the Stage’: Dating the Prologue and Epilogue of The Parson’s Wedding Abstract   PDF
Riki Miyoshi
 
Vol 12, No 1 (2009) ‘You see the times are dangerous’: The Political and Theatrical Situation of The Humorous Magistrate Abstract   PDF
Mary Polito, Jean-Sébastien Windle
 
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