| Issue | Title | |
| Vol 10, No 2 (2007) | 'An Amazonian Heroickess': The Military Leadership of Queen Henrietta Maria in Margaret Cavendish's Bell in Campo (1662) | Abstract PDF |
| Kamille Stone Stanton | ||
| Vol 12, No 2 (2009) | 'An honest dog yet': Performing The Witch of Edmonton | Abstract PDF |
| Roberta Barker | ||
| Vol 8, No 2 (2005) | 'Another Voyage': Death as Social Performance in the Major Tragedies of John Webster | Abstract PDF |
| Roberta Barker | ||
| Vol 4 (2001) | 'Arden winketh at his wife's lewdness, & why!': A Patrilineal Crisis in Arden of Faversham | Abstract PDF |
| Randall Martin | ||
| Vol 13, No 1 (2010) | 'Between You and Her No Comparison': Witches, Healers, and Elizabeth I in John Lyly’s Endymion | Abstract PDF |
| Natalia Khomenko | ||
| Vol 13, No 1 (2010) | 'Canst paint a doleful cry?': Promotion and Performance in the Spanish Tragedy Title-Page Illustration | Abstract PDF |
| Diane K. Jakacki | ||
| Vol 11, No 2 (2008) | 'Certain condolements, certain vails': Staging Rusty Armour in Shakespeare's Pericles | Abstract PDF |
| Susan Harlan | ||
| Vol 5, No 2 (2002) | 'Go sound the ocean, and cast your nets': Surfing the Net for Early Modern Theatre | Abstract PDF |
| Suzanne Westfall | ||
| Vol 3 (2000): Special Volume: The York Cycle Then and Now | 'His langage is lorne': The Silent Centre of the York Cycle | Abstract PDF |
| Alexandra F. Johnston | ||
| Vol 8, No 1 (2005) | 'If my sign could speak': The Signboard and the Visual Culture of Early Modern London | Abstract PDF |
| Andrew Gordon | ||
| Vol 3 (2000): Special Volume: The York Cycle Then and Now | 'Kick Ass and Take Names': Presenting the York Cycle's Christ Before Pilate as a Meditation on Power and Authority | Details PDF |
| Jonathan Herold | ||
| Vol 10, No 2 (2007) | 'Now mark that fellow; he speaks Extempore': Scripted Improvisation in The Antipodes | Abstract PDF |
| Karen Kettnich | ||
| Vol 10, No 2 (2007) | 'On Cheating Pictures': Gender and Portrait Miniatures in Philip Massinger's The Picture | Abstract PDF |
| Erin V. Obermueller | ||
| Vol 12, No 2 (2009) | 'On yestern day, in Feverere, the yere passeth fully': On the Dating and Prosopography of Mankind | Abstract PDF |
| John A. Geck | ||
| Vol 4 (2001) | 'Once more unto the breach': Katharine's Victory in Henry V | Abstract PDF |
| Corinne S. Abate | ||
| Vol 6, No 1 (2003): Special Volume: Performance, Politics, and Culture in the Southwest of Britain, 1350-1642 |
'Parish' and 'City' - A Shifting Identity: Salisbury 1440-1600 | Abstract PDF |
| Audrey Douglas | ||
| Vol 8, No 1 (2005) | 'Plucking a Crow' in The Comedy of Errors | Abstract PDF |
| Maureen Godman | ||
| Vol 9, No 1 (2006) | 'Shall She Famish Then?': Female Food Refusal in Early Modern England | Details PDF |
| Nancy A. Gutierrez (book author), Leanore Lieblein (review author) | ||
| Vol 5, No 1 (2002) | 'Sharing' The Changeling by Playwrights and Professors: The Certainty of Uncertain Knowledge about Collaborations | Abstract PDF |
| Richard L. Nochimson | ||
| Vol 7, No 2 (2004) | 'The chick got in the way', or The Woman is/as Queer: Feminism, Queer Theory, and the Unlocking of Female Subjectivity in Early Modern Drama | Abstract PDF |
| Theodora A. Jankowski | ||
| Vol 12, No 2 (2009) | 'The house is hers, the soul is but a tenant': Material Self-Fashioning and Revenge Tragedy | Abstract PDF |
| Sheetal Lodhia | ||
| Vol 4 (2001) | 'The precious body of Crist that they treytyn in ther hondis': 'Miraclis Pleyinge' and the Croxton Play of the Sacrament | Abstract PDF |
| Heather Hill-Vásquez | ||
| Vol 8, No 2 (2005) | 'The top of woman! All her sex in abstract!': Ben Jonson Directs the Boy Actor in The Devil is an Ass | Abstract PDF |
| Regina Buccola | ||
| Vol 10, No 2 (2007) | 'This alters not thy beauty': Face-paint, Gender and Race in Richard Brome's The English Moor | Abstract PDF |
| Farah Karim-Cooper | ||
| Vol 5, No 2 (2002) | 'To obtain his soul': Demonic Desire for the Soul in Marlowe and Others | Abstract PDF |
| John D. Cox | ||
| Vol 8, No 1 (2005) | 'Vs for to wepe no man may lett': Accommodating Female Grief in the Medieval English Lazarus Plays | Abstract PDF |
| Katharine Goodland | ||
| Vol 11, No 2 (2008) | 'We pray you all ... to drink ere ye pass': Bann Criers, Parish Players, and the Henrician Reformation in England's Southeast | Abstract PDF |
| Ernst Gerhardt | ||
| Vol 7, No 2 (2004) | 'Which 'longs to women of all fashion': Churching and Shakespeare's The Winter's Tale | Abstract PDF |
| Jeffrey Johnson | ||
| Vol 9, No 2 (2006) | Ram Alley and Female Spectatorship | Abstract PDF |
| Andrew Griffin | ||
| Vol 3 (2000): Special Volume: The York Cycle Then and Now | The Ascension: Choreography of Ascent: Staging Images of Spirituality | Details PDF |
| Terri Cain | ||
| Vol 14, No 1 (2011) | The Seven Deadly Sins and Theatrical Apprenticeship | Abstract |
| David Kathman | ||
| Vol 3 (2000): Special Volume: The York Cycle Then and Now | The Slaughter of the Innocents | Details PDF |
| Roland Reed | ||
| Vol 11, No 1 (2008) | A Crisis of Gerontocracy and the Coventry Play | Abstract PDF |
| Sheila K. Christie | ||
| Vol 5, No 1 (2002) | A Dictionary of Stage Directions in English Drama, 1580-1642 | Details PDF |
| Alan C. Dessen (book author), Leslie Thomson (book author), Linda McJannet (review author) | ||
| Vol 11, No 2 (2008) | A Dog, a Witch, a Play: The Witch of Edmonton | Abstract PDF |
| Meg F. Pearson | ||
| Vol 12, No 2 (2009) | A Dramaturgical Study of Merrythought's Songs in The Knight of the Burning Pestle | Abstract PDF |
| Katrine K. Wong | ||
| Vol 9, No 1 (2006) | A Greatly Exaggerated Demise: The Remaking of the Children of Paul's as the Duke of York's Men (1608) | Abstract PDF |
| Brandon Centerwall | ||
| Vol 13, No 1 (2010) | A Lost Jacobean Tragedy: Henry the Una (c 1619) | Abstract PDF |
| Matthew Steggle | ||
| Vol 3 (2000): Special Volume: The York Cycle Then and Now | A Star Is Born: Staging Choices in The Nativity and The Shepherds | Details PDF |
| Michael B. Barbour, Susan Becker Barbour | ||
| Vol 10, No 2 (2007) | A Theatrical Miracle: The Boxley Rood of Grace as Puppet | Abstract PDF |
| Leanne Groeneveld | ||
| Vol 10, No 1 (2007) | A Year in the Life of Willliam Shakespeare: 1599 | Details PDF |
| James Shapiro (book author), Sister Lucia Treanor (review author) | ||
| Vol 1 (1998) | Acting The Text: York Mystery Plays In York, 12 July 1998 | Details PDF |
| David Mills | ||
| Vol 1 (1998) | Addenda: The Play Lists | Details PDF |
| Author not applicable | ||
| Vol 3 (2000): Special Volume: The York Cycle Then and Now | Afterwards | Details PDF |
| Joel Kaplan | ||
| Vol 15, No 1 (2012): Special Issue: Access and Contestation: Women’s Performance in Early Modern England, Italy, France, and Spain |
Apocalyptic Shakespeare: Essays on Visions of Chaos and Revelation in Recent Film Adaptations | Details |
| Melissa Croteau (book editor), Carolyn Jess-Cooke (book editor), Catherine Silverstone (review author) | ||
| Vol 6, No 2 (2003): Special Volume: Performance, Politics, and Culture in the Southwest of Britain, 1350-1642, Part 2 |
At the End of the Road: An Overview of Southwestern Touring Circuits | Abstract PDF |
| Sally-Beth MacLean | ||
| Vol 8, No 1 (2005) | Author's Pen and Actor's Voice: Playing and Writing in Shakespeare's Theatre | Details PDF |
| Robert Weimann (book author), Helen Higbee (book editor), William West (book editor), Ric Knowles (review author) | ||
| Vol 3 (2000): Special Volume: The York Cycle Then and Now | Back to the Garden Again: Directing The Fall | Details PDF |
| Garrett P. J. Epp | ||
| Vol 9, No 1 (2006) | Bawdily Manipulations: Spheres of Female Power in The Birth of Merlin | Abstract PDF |
| Monika Karpinska | ||
| Vol 7, No 1 (2004) | Better a Shrew Than a Sheep: Women, Drama, and the Culture of Jest in Early Modern England | Details PDF |
| Pamela Allen Brown (book author), Regina Buccola (review author) | ||
| Vol 15, No 1 (2012): Special Issue: Access and Contestation: Women’s Performance in Early Modern England, Italy, France, and Spain |
Between Courts: Female Masquers and Anglo-Spanish Diplomacy, 1603–5 | Abstract |
| Mark Hutchings, Berta Cano-Echevarría | ||
| Vol 13, No 1 (2010) | Bringing Richard Brome Online | Abstract PDF |
| Brett D. Hirsch | ||
| Vol 11, No 1 (2008) | Charles Fitz-Geffry and the 'Wars of the Theatres' | Abstract PDF |
| James Doelman | ||
| Vol 13, No 2 (2010) | Chester 2010: Creation and Judgment: Chester Heads South: ‘Octavian’ and ‘The Shepherds’ | Details PDF |
| Douglas W. Hayes, Garrett P. J. Epp (contributing editor) | ||
| Vol 13, No 2 (2010) | Chester 2010: Creation and Judgment: Introduction: Creation to [to displays with a strikethrough in the print issue] and Judgment | Abstract PDF |
| Garrett P. J. Epp | ||
| Vol 13, No 2 (2010) | Chester 2010: Creation and Judgment: Miracles and Marvels: A View from the Third Station | Details PDF |
| Dimitry A. Senyshyn, Garrett P. J. Epp (contributing editor) | ||
| Vol 13, No 2 (2010) | Chester 2010: Creation and Judgment: Playing to the (Twenty-First Century) Crowd: On the Ground at Chester 2010 | Abstract PDF |
| Heather S. Mitchell, Garrett P. J. Epp (contributing editor) | ||
| Vol 13, No 2 (2010) | Chester 2010: Creation and Judgment: Playing with Power: ‘The Trial, Flagellation, and Crucifixion’ | Details PDF |
| Dimitry A. Senyshyn, Garrett P. J. Epp (contributing editor) | ||
| Vol 13, No 2 (2010) | Chester 2010: Creation and Judgment: ‘The Ascension’: Blood and Roses | Abstract PDF |
| Mary Elizabeth Ellzey, Garrett P. J. Epp (contributing editor) | ||
| Vol 13, No 2 (2010) | Chester 2010: Creation and Judgment: ‘Your saviour nowe in your sight’: Vassar College’s ‘Coming of the Antichrist’ | Details PDF |
| Erin E. Kelly, Garrett P. J. Epp (contributing editor) | ||
| Vol 10, No 1 (2007) | Children, Costume, and Identity in the Chester Midsummer Show | Abstract PDF |
| Susannah Crowder | ||
| Vol 10, No 1 (2007) | Children of the Queen's Revels: A Jacobean Theatre Repertory | Details PDF |
| Lucy Munro (book author), David Nicol (review author) | ||
| Vol 11, No 2 (2008) | Christopher Beeston and the Caroline Office of Theatrical 'Governor' | Abstract PDF |
| Christopher Matusiak | ||
| Vol 6, No 2 (2003): Special Volume: Performance, Politics, and Culture in the Southwest of Britain, 1350-1642, Part 2 |
Christopher Marlowe: A Renaissance Life | Details PDF |
| Constance Brown Kuriyama (book author), David Nicol (review author) | ||
| Vol 11, No 1 (2008) | Christopher Marlowe: Poet & Spy | Details PDF |
| Park Honan (book author), Todd Andrew Borlik (review author) | ||
| Vol 7, No 1 (2004) | Colonial Transformations: The Cultural Production of the New Atlantic World | Details PDF |
| Rebecca Ann Bach (book author), Eric Griffin (review author) | ||
| Vol 15, No 1 (2012): Special Issue: Access and Contestation: Women’s Performance in Early Modern England, Italy, France, and Spain |
Conniving Women and Superannuated Coquettes: Travestis and Caractères in the Early Modern French Theatre | Abstract |
| Virginia Scott | ||
| Vol 13, No 1 (2010) | Contents | Details PDF |
| Author not applicable | ||
| Vol 15, No 1 (2012): Special Issue: Access and Contestation: Women’s Performance in Early Modern England, Italy, France, and Spain |
Contents | Details |
| Author not applicable | ||
| Vol 13, No 2 (2010) | Contents | Details PDF |
| Author not applicable | ||
| Vol 14, No 1 (2011) | Contents | Details |
| Author not applicable | ||
| Vol 14, No 2 (2011): Special Issue: Circles and Circuits: Drama and Politics in the Midlands | Contents | Details |
| Author not applicable | ||
| Vol 15, No 2 (2012) | Contents | Details |
| Author not applicable | ||
| Vol 1 (1998) | Context and Performance: The York Plays at Toronto | Details PDF |
| David Bevington | ||
| Vol 7, No 1 (2004) | Contributors | Details PDF |
| Author not applicable | ||
| Vol 11, No 1 (2008) | Contributors | Details PDF |
| Author not applicable | ||
| Vol 10, No 2 (2007) | Contributors | Details PDF |
| Author not applicable | ||
| Vol 8, No 2 (2005) | Contributors | Details PDF |
| Author not applicable | ||
| Vol 1 (1998) | Contributors | Details PDF |
| Author not applicable | ||
| Vol 7, No 2 (2004) | Contributors | Details PDF |
| Author not applicable | ||
| Vol 6, No 2 (2003): Special Volume: Performance, Politics, and Culture in the Southwest of Britain, 1350-1642, Part 2 |
Contributors | Details PDF |
| Author not applicable | ||
| Vol 6, No 1 (2003): Special Volume: Performance, Politics, and Culture in the Southwest of Britain, 1350-1642 |
Contributors | Details PDF |
| Author not applicable | ||
| Vol 8, No 1 (2005) | Contributors | Details PDF |
| Author not applicable | ||
| Vol 10, No 1 (2007) | Contributors | Details PDF |
| Author not applicable | ||
| Vol 9, No 1 (2006) | Contributors | Details PDF |
| Author not applicable | ||
| Vol 3 (2000): Special Volume: The York Cycle Then and Now | Contributors | Details PDF |
| Author not applicable | ||
| Vol 5, No 1 (2002) | Contributors | Details PDF |
| Author not applicable | ||
| Vol 2 (1999) | Contributors | Details PDF |
| Author not applicable | ||
| Vol 4 (2001) | Contributors | Details PDF |
| Author not applicable | ||
| Vol 5, No 2 (2002) | Contributors | Details PDF |
| Author not applicable | ||
| Vol 9, No 2 (2006) | Contributors | Details PDF |
| Author not applicable | ||
| Vol 11, No 2 (2008) | Contributors | Details PDF |
| Author not applicable | ||
| Vol 12, No 1 (2009) | Contributors | Details PDF |
| Author not applicable | ||
| Vol 12, No 2 (2009) | Contributors | Details PDF |
| Author not applicable | ||
| Vol 13, No 1 (2010) | Contributors | Details PDF |
| Author not applicable | ||
| Vol 15, No 1 (2012): Special Issue: Access and Contestation: Women’s Performance in Early Modern England, Italy, France, and Spain |
Contributors | Details |
| Author not applicable | ||
| Vol 13, No 2 (2010) | Contributors | Details PDF |
| Author not applicable | ||
| Vol 14, No 1 (2011) | Contributors | Details |
| Author not applicable | ||
| Vol 14, No 2 (2011): Special Issue: Circles and Circuits: Drama and Politics in the Midlands | Contributors | Details |
| Author not applicable | ||
| Vol 15, No 2 (2012) | Contributors | Details |
| Author not applicable | ||
| Vol 14, No 1 (2011) | Cross-Gender Shakespeare and English National Identity: Wearing the Codpiece | Details |
| Elizabeth Klett (book author), Jami Rogers (review author) | ||
| Vol 6, No 2 (2003): Special Volume: Performance, Politics, and Culture in the Southwest of Britain, 1350-1642, Part 2 |
Crossing County Boundaries: Sixteenth-Century Performance and Celebration in Yeovil, co. Somerset, and Sherborne, co. Dorset | Abstract PDF |
| Rosalind C. Hays | ||
| Vol 4 (2001) | Daniel Rabel and the Grotesque | Abstract PDF |
| John A. Astington | ||
| Vol 12, No 1 (2009) | Dekker’s Accession Pageant for James I | Abstract PDF |
| Anne Lancashire | ||
| Vol 1 (1998) | Devising the Revels | Abstract PDF |
| W. R. Streitberger | ||
| Vol 9, No 1 (2006) | Disowning Knowledge in Seven Plays by Shakespeare | Details PDF |
| Stanley Cavell (book author), David Schalkwyk (review author) | ||
| Vol 9, No 1 (2006) | Distracted Subjects: Madness and Gender in Shakespeare and Early Modern Culture | Details PDF |
| Carol Thomas Neely (book author), Katharine Goodland (review author) | ||
| Vol 13, No 1 (2010) | Drama and Religion in English Provincial Society, 1485-1660 | Details PDF |
| Paul Whitfield White (book author), Jennifer Roberts-Smith (review author) | ||
| Vol 13, No 2 (2010) | Dramatists, Playing Companies, and Repertories: Romeo at the Rose in 1598 | Abstract PDF |
| Charles Cathcart, Tom Rutter (contributing editor) | ||
| Vol 13, No 2 (2010) | Dramatists, Playing Companies, and Repertories: Actor, Poet, Playwright, Sharer … Rival? Shakespeare and Heywood, 1603–4 | Abstract PDF |
| Clare Smout, Tom Rutter (contributing editor) | ||
| Vol 13, No 2 (2010) | Dramatists, Playing Companies, and Repertories: Introduction: The Repertory-Based Approach | Abstract PDF |
| Tom Rutter | ||
| Vol 13, No 2 (2010) | Dramatists, Playing Companies, and Repertories: Repertory and Riot: The Relocation of Plays from the Red Bull to the Cockpit Stage | Abstract PDF |
| Eleanor C. Collins, Tom Rutter (contributing editor) | ||
| Vol 13, No 2 (2010) | Dramatists, Playing Companies, and Repertories: Will Kemp, Shakespeare, and the Composition of Romeo and Juliet | Abstract PDF |
| Elizabeth Ford, Tom Rutter (contributing editor) | ||
| Vol 12, No 2 (2009) | Early Modern English Drama and the Islamic World: 'By Mortus Ali and our Persian gods': Multiple Persian Identities in Tamburlaine and The Travels of the Three English Brothers | Abstract PDF |
| Javad Ghatta | ||
| Vol 12, No 2 (2009) | Early Modern English Drama and the Islamic World: 'In th'armor of a Pagan knight': Romance and Anachronism East of England in Book V of The Faerie Queene and Tamburlaine | Abstract PDF |
| Justin Kolb | ||
| Vol 12, No 2 (2009) | Early Modern English Drama and the Islamic World: 'Now will I be a Turke': Performing Ottoman Identity in Thomas Goffe's The Courageous Turk | Abstract PDF |
| Joel Elliot Slotkin | ||
| Vol 12, No 2 (2009) | Early Modern English Drama and the Islamic World: Guy of Warwick, Godfrey of Bouillon, and Elizabethan Repertory | Abstract PDF |
| Annaliese Connolly | ||
| Vol 12, No 2 (2009) | Early Modern English Drama and the Islamic World: Islam and English Drama: A Critical History | Abstract PDF |
| Linda McJannet | ||
| Vol 12, No 2 (2009) | Early Theatre Essay Prizes 2009 | Details PDF |
| Author not applicable | ||
| Vol 14, No 1 (2011) | Early Theatre Essay Prizes 2011 | Details |
| Author not applicable | ||
| Vol 14, No 1 (2011) | Early Theatre: Special Issue on Women and Performance: June 2012 | Details |
| Author not applicable | ||
| Vol 14, No 2 (2011): Special Issue: Circles and Circuits: Drama and Politics in the Midlands | Early Theatre: Special Issue on Women and Performance: June 2012 | Details |
| Author not applicable | ||
| Vol 7, No 1 (2004) | Editorial | Details PDF |
| Helen Ostovich | ||
| Vol 11, No 1 (2008) | Editorial | Details PDF |
| Helen Ostovich | ||
| Vol 8, No 2 (2005) | Editorial | Details PDF |
| Helen Ostovich | ||
| Vol 1 (1998) | Editorial | Details PDF |
| Helen Ostovich | ||
| Vol 10, No 2 (2007) | Editorial | Details PDF |
| Helen Ostovich | ||
| Vol 10, No 1 (2007) | Editorial | Details PDF |
| Helen Ostovich | ||
| Vol 9, No 1 (2006) | Editorial | Details PDF |
| Helen Ostovich | ||
| Vol 3 (2000): Special Volume: The York Cycle Then and Now | Editorial | Details PDF |
| Helen Ostovich | ||
| Vol 5, No 1 (2002) | Editorial | Details PDF |
| Helen Ostovich | ||
| Vol 9, No 2 (2006) | Editorial | Details PDF |
| Helen Ostovich | ||
| Vol 2 (1999) | Editorial | Details PDF |
| Helen Ostovich | ||
| Vol 4 (2001) | Editorial | Details PDF |
| Helen Ostovich | ||
| Vol 5, No 2 (2002) | Editorial | Details PDF |
| Helen Ostovich | ||
| Vol 11, No 2 (2008) | Editorial | Details PDF |
| Helen Ostovich, Melinda Gough | ||
| Vol 12, No 1 (2009) | Editorial | Details PDF |
| Helen Ostovich, Melinda Gough | ||
| Vol 12, No 2 (2009) | Editorial | Details PDF |
| Helen Ostovich, Melinda Gough | ||
| Vol 13, No 1 (2010) | Editorial | Details PDF |
| Helen Ostovich, Melinda Gough | ||
| Vol 15, No 1 (2012): Special Issue: Access and Contestation: Women’s Performance in Early Modern England, Italy, France, and Spain |
Editorial | Details |
| Helen Ostovich, Erin E. Kelly | ||
| Vol 13, No 2 (2010) | Editorial | Details PDF |
| Helen Ostovich, Melinda Gough | ||
| Vol 14, No 1 (2011) | Editorial | Details |
| Helen Ostovich, Melinda Gough | ||
| Vol 14, No 2 (2011): Special Issue: Circles and Circuits: Drama and Politics in the Midlands | Editorial | Details |
| Helen Ostovich, Melinda Gough, Erin E. Kelly | ||
| Vol 15, No 2 (2012) | Editorial | Details |
| Helen Ostovich, Melinda J. Gough, Erin E. Kelly | ||
| Vol 6, No 1 (2003): Special Volume: Performance, Politics, and Culture in the Southwest of Britain, 1350-1642 |
Editorial: Special Volume: Performance, Politics, and Culture in the Southwest of Britain, 1350-1642 | Details PDF |
| Gloria J. Betcher | ||
| Vol 6, No 2 (2003): Special Volume: Performance, Politics, and Culture in the Southwest of Britain, 1350-1642, Part 2 |
Editorial: Special Volume: Performance, Politics, and Culture in the Southwest of Britain, 1350-1642, Part 2 | Details PDF |
| Gloria J. Betcher | ||
| Vol 4 (2001) | English Court Theatre 1558-1642 | Details PDF |
| John H. Astington (book author), William Ingram (review author) | ||
| Vol 7, No 1 (2004) | English Professional Theatre, 1530-1660. Theatre in Europe: A Documentary History | Details PDF |
| Glynne Wickham (book editor), Herbert Berry (book editor), William Ingram (book editor), A. R. Braunmuller (review author) | ||
| Vol 4 (2001) | Enter the Whole Army: A Pictorial Study of Shakespearean Staging, 1576-1616 | Details PDF |
| C. Walter Hodges (book author), Roslyn L. Knutson (review author) | ||
| Vol 14, No 2 (2011): Special Issue: Circles and Circuits: Drama and Politics in the Midlands | Events and Texts: The Prologues and Epilogues of the Arbury Plays | Abstract |
| Amy Scott | ||
| Vol 8, No 1 (2005) | Every Man Out of His Humour | Details PDF |
| Ben Jonson (book author), Helen Ostovich (book editor), W. David Kay (review author) | ||
| Vol 8, No 1 (2005) | Expanding the Political Nation: Gorboduc at the Inns of Court and Succession Revisited | Abstract PDF |
| Jessica Winston | ||
| Vol 10, No 2 (2007) | Facing Places in Richard Brome's The Weeding of Covent Garden | Abstract PDF |
| Mimi Yiu | ||
| Vol 13, No 1 (2010) | Faustus and the Promises of the New Science, c. 1580-1730 | Details PDF |
| Christa Knellworth King (book author), Ian McAdam (review author) | ||
| Vol 12, No 1 (2009) | Female Bodies, Speech, and Silence in The Witch of Edmonton | Abstract PDF |
| Sarah Johnson | ||
| Vol 10, No 2 (2007) | Female Play-going and the Good Woman | Abstract PDF |
| David Mann | ||
| Vol 7, No 2 (2004) | Food and Foreignness in Sir Thomas More | Abstract PDF |
| Joan Fitzpatrick | ||
| Vol 4 (2001) | Fools and Jesters at the English Court | Details PDF |
| John Southworth (book author), Phebe Jensen (review author) | ||
| Vol 8, No 2 (2005) | Foreign Affairs: The Search for the Lost Husband in Shakespeare's All's Well that Ends Well | Abstract PDF |
| Karen Bamford | ||
| Vol 15, No 2 (2012) | From Subject to Earthly Matter: The Plowman’s Argument and Popular Discourse in Gentleness and Nobility | Abstract |
| Rachel Greenberg | ||
| Vol 15, No 1 (2012): Special Issue: Access and Contestation: Women’s Performance in Early Modern England, Italy, France, and Spain |
Front Cover | Details |
| Author not applicable | ||
| Vol 15, No 2 (2012) | Front Cover | Details |
| Author not applicable | ||
| Vol 7, No 1 (2004) | Front Matter | Details PDF |
| Author not applicable | ||
| Vol 11, No 1 (2008) | Front Matter | Details PDF |
| Author not applicable | ||
| Vol 8, No 2 (2005) | Front Matter | Details PDF |
| Author not applicable | ||
| Vol 1 (1998) | Front Matter | Details PDF |
| Author not applicable | ||
| Vol 10, No 2 (2007) | Front Matter | Details PDF |
| Author not applicable | ||
| Vol 7, No 2 (2004) | Front Matter | Details PDF |
| Author not applicable | ||
| Vol 6, No 2 (2003): Special Volume: Performance, Politics, and Culture in the Southwest of Britain, 1350-1642, Part 2 |
Front Matter | Details PDF |
| Author not applicable | ||
| Vol 6, No 1 (2003): Special Volume: Performance, Politics, and Culture in the Southwest of Britain, 1350-1642 |
Front Matter | Details PDF |
| Author not applicable | ||
| Vol 8, No 1 (2005) | Front Matter | Details PDF |
| Author not applicable | ||
| Vol 10, No 1 (2007) | Front Matter | Details PDF |
| Author not applicable | ||
| Vol 9, No 1 (2006) | Front Matter | Details PDF |
| Author not applicable | ||
| Vol 3 (2000): Special Volume: The York Cycle Then and Now | Front Matter | Details PDF |
| Author not applicable | ||
| Vol 5, No 1 (2002) | Front Matter | Details PDF |
| Author not applicable | ||
| Vol 9, No 2 (2006) | Front Matter | Details PDF |
| Author not applicable | ||
| Vol 2 (1999) | Front Matter | Details PDF |
| Author not applicable | ||
| Vol 4 (2001) | Front Matter | Details PDF |
| Author not applicable | ||
| Vol 5, No 2 (2002) | Front Matter | Details PDF |
| Author not applicable | ||
| Vol 11, No 2 (2008) | Front Matter | Details PDF |
| Author not applicable | ||
| Vol 12, No 1 (2009) | Front Matter | Details PDF |
| Author not applicable | ||
| Vol 12, No 2 (2009) | Front matter | Details PDF |
| Author not applicable | ||
| Vol 13, No 1 (2010) | Front matter | Details PDF |
| Author not applicable | ||
| Vol 15, No 1 (2012): Special Issue: Access and Contestation: Women’s Performance in Early Modern England, Italy, France, and Spain |
Front Matter | Details |
| Author not applicable | ||
| Vol 13, No 2 (2010) | Front matter | Details PDF |
| Author not applicable | ||
| Vol 14, No 1 (2011) | Front matter | Details |
| Author not applicable | ||
| Vol 14, No 2 (2011): Special Issue: Circles and Circuits: Drama and Politics in the Midlands | Front Matter | Details |
| Author not applicable | ||
| Vol 15, No 2 (2012) | Front Matter | Details |
| Author not applicable | ||
| Vol 7, No 2 (2004) | Galley-foists, the Lord Mayor's Show, and Early Modern English Drama | Abstract PDF |
| David Carnegie | ||
| Vol 12, No 1 (2009) | Hedgerows and Petticoats: Sartorial Subversion and Anti-enclosure Protest in Seventeenth-century England | Abstract PDF |
| Christina Bosco Langert | ||
| Vol 1 (1998) | Henry Hardware's Moment and the Puritan Attack on Drama | Abstract PDF |
| Robert Tittler | ||
| Vol 3 (2000): Special Volume: The York Cycle Then and Now | High Places and Travelling Scenes: Some Observations on the Staging of the York Cycle | Abstract PDF |
| Martin W. Walsh | ||
| Vol 3 (2000): Special Volume: The York Cycle Then and Now | Historical Text and the Postmodern Aesthetic: Case Study of Handmade Performance's The Last Judgement | Details PDF |
| Stephen Johnson | ||
| Vol 14, No 1 (2011) | How to Get from A to B: Fulgens and Lucres, Histrionic Power, and the Invention of the English Comic Duo | Abstract |
| Rick Bowers | ||
| Vol 15, No 1 (2012): Special Issue: Access and Contestation: Women’s Performance in Early Modern England, Italy, France, and Spain |
How to Read a Shakespearean Play Text | Details |
| Eugene Giddens (book author), Brett D. Hirsch (review author) | ||
| Vol 7, No 2 (2004) | Identifying Othello: Race and the Colonial (non)Subject | Abstract PDF |
| Viviana Comensoli | ||
| Vol 14, No 2 (2011): Special Issue: Circles and Circuits: Drama and Politics in the Midlands | Imported Popular Song in The Humorous Magistrate: ‘The Noble Acts of Arthur of the Round Table’ and ‘Come heare, Lady Muses’ | Abstract |
| Paul Faber | ||
| Vol 9, No 1 (2006) | Improvisation in the Arts of the Middle Ages and Renaissance | Details PDF |
| Timothy J. McGee (book editor), M. A. Katritzky (review author) | ||
| Vol 7, No 1 (2004) | In the Company of Shakespeare: Essays on English Renaissance Literature in Honor of G. Blakemore Evans | Details PDF |
| Thomas Moisan (book editor), Douglas Bruster (book editor), Joseph Candido (review author) | ||
| Vol 3 (2000): Special Volume: The York Cycle Then and Now | Introduction | Details PDF |
| Alexandra F. Johnston | ||
| Vol 15, No 1 (2012): Special Issue: Access and Contestation: Women’s Performance in Early Modern England, Italy, France, and Spain |
Introduction: Access and Contestation: Women’s Performance in Early Modern England, Italy, France, and Spain | Abstract |
| Peter Parolin | ||
| Vol 14, No 2 (2011): Special Issue: Circles and Circuits: Drama and Politics in the Midlands | Introduction: Circles and Circuits: Drama and Politics in the Midlands | Details |
| Mary Polito, Amy Scott | ||
| Vol 8, No 2 (2005) | Italian Perspectives on Late Tudor and Early Stuart Theatre | Abstract PDF |
| Richard Allen Cave | ||
| Vol 14, No 2 (2011): Special Issue: Circles and Circuits: Drama and Politics in the Midlands | Jockeying Jony: The Politics of Horse-Racing and Regional Identity in The Humorous Magistrate | Abstract |
| Vimala C. Pasupathi | ||
| Vol 15, No 2 (2012) | John Cholmley on the Bankside | Abstract |
| William Ingram | ||
| Vol 13, No 2 (2010) | John Fletcher of Corpus Christi College: New Records of His Early Years | Abstract PDF |
| Arata Ide | ||
| Vol 14, No 2 (2011): Special Issue: Circles and Circuits: Drama and Politics in the Midlands | John Newdigate III, Gilbert Sheldon, and MS A414 106r | Abstract |
| Owen Stockden | ||
| Vol 9, No 1 (2006) | Jonson's Gossips and the Stuart Family Drama | Abstract PDF |
| Kristen McDermott | ||
| Vol 13, No 1 (2010) | Kenneth Burke on Shakespeare | Details PDF |
| Scott Newstok (book editor), David Schalkwyk (review author) | ||
| Vol 15, No 1 (2012): Special Issue: Access and Contestation: Women’s Performance in Early Modern England, Italy, France, and Spain |
Labors Lost: Women’s Work and the Early Modern English Stage | Details |
| Natasha Korda (book author), Susan C. Frye (review author) | ||
| Vol 6, No 1 (2003): Special Volume: Performance, Politics, and Culture in the Southwest of Britain, 1350-1642 |
Landscape, Movement, and Civic Mimesis in the West of England | Abstract PDF |
| James Stokes | ||
| Vol 11, No 1 (2008) | Laughing and Weeping in Early Modern Theatres | Details PDF |
| Matthew Steggle (book author), David Nicol (review author) | ||
| Vol 9, No 1 (2006) | Legitimizing Magic in The Birth of Merlin | Abstract PDF |
| Megan Lynn Isaac | ||
| Vol 9, No 1 (2006) | Literature, Nationalism, and Memory in Early Modern England and Wales | Details PDF |
| Philip Schwyzer (book author), Christopher Ivic (review author) | ||
| Vol 8, No 1 (2005) | London Civic Theatre: City Drama and Pageantry from Roman Times to 1558 | Details PDF |
| Anne Lancashire (book author), Darryl Grantley (review author) | ||
| Vol 5, No 1 (2002) | Maids and Mistresses, Cousins and Queens: Women's Alliances in Early Modern England | Details PDF |
| Susan Frye (book editor), Karen Robertson (book editor), Joan Larsen Klein (review author) | ||
| Vol 7, No 2 (2004) | Making Death a Miracle: Audience and the Genres of Martyrdom in Dekker and Massinger's The Virgin Martyr | Abstract PDF |
| Nova Myhill | ||
| Vol 15, No 1 (2012): Special Issue: Access and Contestation: Women’s Performance in Early Modern England, Italy, France, and Spain |
Marie de Medici’s 1605 ballet de la reine: New Evidence and Analysis | Abstract |
| Melinda J. Gough | ||
| Vol 12, No 1 (2009) | Marking Time in Doctor Faustus 5.2 | Abstract PDF |
| Joseph Candido | ||
| Vol 13, No 1 (2010) | Marlowe, the 'Mad Priest of the Sun', and Heliogabalus | Abstract PDF |
| Tom Rutter | ||
| Vol 8, No 1 (2005) | Marlowe's Soldiers: Rhetorics of Masculinity in the Age of the Armada | Details PDF |
| Alan Shepard (book author), Mario Digangi (review author) | ||
| Vol 10, No 1 (2007) | Mary Frith at the Fortune | Abstract PDF |
| Mark Hutchings | ||
| Vol 14, No 1 (2011) | Materializing Gender in Early Modern English Literature and Culture | Details |
| Will Fisher (book author), Emma Katherine Perry (review author) | ||
| Vol 7, No 1 (2004) | Medieval and Renaissance Drama in England, vol. 14 | Details PDF |
| John Pitcher (journal editor), James Hirsh (review author) | ||
| Vol 10, No 1 (2007) | Memory and Forgetting in English Renaissance Drama: Shakespeare, Marlowe, Webster | Details PDF |
| Garret A. Sullivan, Jr. (book author), Christopher Ivic (review author) | ||
| Vol 12, No 1 (2009) | Memory, Images, and the English Corpus Christi Drama | Details PDF |
| Theodore K. Lerud (book author), Boyda Johnstone (review author) | ||
| Vol 8, No 1 (2005) | Michaelmas Term | Details PDF |
| Thomas Middleton (book author), Gail Kern Paster (book editor), Paul Yachnin (review author) | ||
| Vol 12, No 1 (2009) | Middleton and his Collaborators | Details PDF |
| Mark Hutchings (book author), A. A. Bromham (book author), David Nicol (review author) | ||
| Vol 6, No 2 (2003): Special Volume: Performance, Politics, and Culture in the Southwest of Britain, 1350-1642, Part 2 |
Minstrels, Morris Dancers, and Players: Tracing the Routes of Travelling Performers in Early Modern Cornwall | Abstract PDF |
| Gloria J. Betcher | ||
| Vol 8, No 1 (2005) | Minstrels Playing. Music in Early English Religious Drama II | Details PDF |
| Richard Rastall (book author), Joanna Dutka (review author) | ||
| Vol 12, No 2 (2009) | Miraculous Rhetoric: The Relationship between Rhetoric and Miracles in the York ‘Entry into Jerusalem’ | Abstract PDF |
| Frank Napolitano | ||
| Vol 4 (2001) | Moving UpMarket: Queen Anne’s Men at the Cockpit in Drury Lane, 1617 | Abstract PDF |
| Mark Bayer | ||
| Vol 5, No 1 (2002) | Mrs Noah and Didactic Abuses | Abstract PDF |
| Jane Tolmie | ||
| Vol 7, No 1 (2004) | "My breasts sear'd": The Self-Starved Female Body and A Woman Killed With Kindness | Abstract PDF |
| Christopher Frey, Leanore Lieblein | ||
| Vol 9, No 2 (2006) | Napping in the Arbour in the Digby Mary Magdalene Play | Abstract PDF |
| Joanne Findon | ||
| Vol 14, No 1 (2011) | Native Shakespeares: Indigenous Appropriations on a Global Stage | Details |
| Craig Dionne (book editor), Parmita Kapadia (book editor), Yolana Wassersug (review author) | ||
| Vol 8, No 2 (2005) | New Allusions to London 'Shewes' and Playhouses, 1575-1605 | Abstract PDF |
| Duncan Salkeld | ||
| Vol 11, No 2 (2008) | New Developments in Commedia Research: An Icon for a New Woman: A Previously Unidentified Portrait of Isabella Andreini by Paolo Veronese | Abstract PDF |
| Maria Ines Aliverti | ||
| Vol 11, No 2 (2008) | New Developments in Commedia Research: Back to the Future: A Review of Comparative Studies in Shakespeare and the Commedia dell'Arte | Abstract PDF |
| Robert Henke | ||
| Vol 11, No 2 (2008) | New Developments in Commedia Research: New Perspectives on Language, Oral Transmission, and Multilingualism in Commedia dell'Arte | Abstract PDF |
| Erith Jaffe-Berg | ||
| Vol 11, No 2 (2008) | New Developments in Commedia Research: Plates | Details PDF |
| Author not applicable | ||
| Vol 11, No 2 (2008) | New Developments in Commedia Research: The Commedia all'improvviso Pictures in the Corsini Manuscript: A New Reading | Abstract PDF |
| Stefano Mengarelli | ||
| Vol 11, No 2 (2008) | New Developments in Commedia Research: The Commedia dell'Arte: New Perspectives and New Documents | Abstract PDF |
| M. A. Katritzky | ||
| Vol 11, No 2 (2008) | New Developments in Commedia Research: The Italian Actress and the Foundations of Early Modern European Theatre: Performing Female Sexual Identities on the Commedia dell'Arte Stage | Abstract PDF |
| Rosalind Kerr | ||
| Vol 11, No 2 (2008) | New Sightings of Christopher Marlowe in London | Abstract PDF |
| David Mateer | ||
| Vol 7, No 1 (2004) | Numerology in the York Creation Sequence | Abstract PDF |
| Natalie Crohn Schmitt | ||
| Vol 7, No 1 (2004) | Of Philosophers and Kings: Political Philosophy in Shakespeare's Macbeth and King Lear | Details PDF |
| Leon Craig (book author), Tim Spiekerman (review author) | ||
| Vol 10, No 2 (2007) | Offstage and Onstage Drama: New Approaches to Richard Brome | Abstract PDF |
| Eleanor Lowe | ||
| Vol 10, No 1 (2007) | Othello | Details PDF |
| Julie Hankey (book editor), Louise Denmead (review author) | ||
| Vol 8, No 2 (2005) | Othello the Traveller | Abstract PDF |
| Philip D. Collington | ||
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