Browse Title Index


 
Issue Title
 
Vol 10, No 2 (2007) 'An Amazonian Heroickess': The Military Leadership of Queen Henrietta Maria in Margaret Cavendish's Bell in Campo (1662) Abstract   PDF
Kamille Stone Stanton
 
Vol 12, No 2 (2009) 'An honest dog yet': Performing The Witch of Edmonton Abstract   PDF
Roberta Barker
 
Vol 8, No 2 (2005) 'Another Voyage': Death as Social Performance in the Major Tragedies of John Webster Abstract   PDF
Roberta Barker
 
Vol 4 (2001) 'Arden winketh at his wife's lewdness, & why!': A Patrilineal Crisis in Arden of Faversham Abstract   PDF
Randall Martin
 
Vol 13, No 1 (2010) 'Between You and Her No Comparison': Witches, Healers, and Elizabeth I in John Lyly’s Endymion Abstract   PDF
Natalia Khomenko
 
Vol 13, No 1 (2010) 'Canst paint a doleful cry?': Promotion and Performance in the Spanish Tragedy Title-Page Illustration Abstract   PDF
Diane K. Jakacki
 
Vol 11, No 2 (2008) 'Certain condolements, certain vails': Staging Rusty Armour in Shakespeare's Pericles Abstract   PDF
Susan Harlan
 
Vol 5, No 2 (2002) 'Go sound the ocean, and cast your nets': Surfing the Net for Early Modern Theatre Abstract   PDF
Suzanne Westfall
 
Vol 3 (2000): Special Volume: The York Cycle Then and Now 'His langage is lorne': The Silent Centre of the York Cycle Abstract   PDF
Alexandra F. Johnston
 
Vol 8, No 1 (2005) 'If my sign could speak': The Signboard and the Visual Culture of Early Modern London Abstract   PDF
Andrew Gordon
 
Vol 3 (2000): Special Volume: The York Cycle Then and Now 'Kick Ass and Take Names': Presenting the York Cycle's Christ Before Pilate as a Meditation on Power and Authority Details   PDF
Jonathan Herold
 
Vol 10, No 2 (2007) 'On Cheating Pictures': Gender and Portrait Miniatures in Philip Massinger's The Picture Abstract   PDF
Erin V. Obermueller
 
Vol 12, No 2 (2009) 'On yestern day, in Feverere, the yere passeth fully': On the Dating and Prosopography of Mankind Abstract   PDF
John A. Geck
 
Vol 4 (2001) 'Once more unto the breach': Katharine's Victory in Henry V Abstract   PDF
Corinne S. Abate
 
Vol 6, No 1 (2003): Special Volume: Performance, Politics, and Culture in the Southwest of Britain,
1350-1642
'Parish' and 'City' - A Shifting Identity: Salisbury 1440-1600 Abstract   PDF
Audrey Douglas
 
Vol 8, No 1 (2005) 'Plucking a Crow' in The Comedy of Errors Abstract   PDF
Maureen Godman
 
Vol 9, No 1 (2006) 'Shall She Famish Then?': Female Food Refusal in Early Modern England Details   PDF
Nancy A. Gutierrez (book author), Leanore Lieblein (review author)
 
Vol 5, No 1 (2002) 'Sharing' The Changeling by Playwrights and Professors: The Certainty of Uncertain Knowledge about Collaborations Abstract   PDF
Richard L. Nochimson
 
Vol 12, No 2 (2009) 'The house is hers, the soul is but a tenant': Material Self-Fashioning and Revenge Tragedy Abstract   PDF
Sheetal Lodhia
 
Vol 4 (2001) 'The precious body of Crist that they treytyn in ther hondis': 'Miraclis Pleyinge' and the Croxton Play of the Sacrament Abstract   PDF
Heather Hill-Vásquez
 
Vol 8, No 2 (2005) 'The top of woman! All her sex in abstract!': Ben Jonson Directs the Boy Actor in The Devil is an Ass Abstract   PDF
Regina Buccola
 
Vol 5, No 2 (2002) 'To obtain his soul': Demonic Desire for the Soul in Marlowe and Others Abstract   PDF
John D. Cox
 
Vol 8, No 1 (2005) 'Vs for to wepe no man may lett': Accommodating Female Grief in the Medieval English Lazarus Plays Abstract   PDF
Katharine Goodland
 
Vol 11, No 2 (2008) 'We pray you all ... to drink ere ye pass': Bann Criers, Parish Players, and the Henrician Reformation in England's Southeast Abstract   PDF
Ernst Gerhardt
 
Vol 7, No 2 (2004) 'Which 'longs to women of all fashion': Churching and Shakespeare's The Winter's Tale Abstract   PDF
Jeffrey Johnson
 
Vol 16, No 2 (2013) Cupid’s Grand Polititian (1657) Abstract   PDF
David McInnis
 
Vol 18, No 2 (2015) Early Theatre Essay Prizes 2015 Details
Author not applicable
 
Vol 9, No 2 (2006) Ram Alley and Female Spectatorship Abstract   PDF
Andrew Griffin
 
Vol 3 (2000): Special Volume: The York Cycle Then and Now The Ascension: Choreography of Ascent: Staging Images of Spirituality Details   PDF
Terri Cain
 
Vol 19, No 1 (2016) The Peaceable King, or the Lord Mendall: A Lost Jack Cade Play and its 1623 Revival Abstract
David Nicol
 
Vol 14, No 1 (2011) The Seven Deadly Sins and Theatrical Apprenticeship Abstract   PDF
David Kathman
 
Vol 3 (2000): Special Volume: The York Cycle Then and Now The Slaughter of the Innocents Details   PDF
Roland Reed
 
Vol 20, No 1 (2017) The Vow Breaker and William Sampson’s Role in ‘the Anne Willoughby Affair’ Abstract
Emanuel Stelzer
 
Vol 11, No 1 (2008) A Crisis of Gerontocracy and the Coventry Play Abstract   PDF
Sheila K. Christie
 
Vol 5, No 1 (2002) A Dictionary of Stage Directions in English Drama, 1580-1642 Details   PDF
Alan C. Dessen (book author), Leslie Thomson (book author), Linda McJannet (review author)
 
Vol 11, No 2 (2008) A Dog, a Witch, a Play: The Witch of Edmonton Abstract   PDF
Meg F. Pearson
 
Vol 12, No 2 (2009) A Dramaturgical Study of Merrythought's Songs in The Knight of the Burning Pestle Abstract   PDF
Katrine K. Wong
 
Vol 9, No 1 (2006) A Greatly Exaggerated Demise: The Remaking of the Children of Paul's as the Duke of York's Men (1608) Abstract   PDF
Brandon Centerwall
 
Vol 19, No 1 (2016) A History of ‘The Mysteries’ Abstract
Emma Maggie Solberg
 
Vol 18, No 1 (2015) A Jacobean Company and Its Playhouse: The Queen’s Servants at the Red Bull Theatre (c. 1605–1619) Abstract
Eva Griffith (book author), Eleanor Collins (review author)
 
Vol 13, No 1 (2010) A Lost Jacobean Tragedy: Henry the Una (c 1619) Abstract   PDF
Matthew Steggle
 
Vol 17, No 1 (2014) A New Context for the Manuscript of Wit and Science Abstract   PDF
Louise Rayment
 
Vol 20, No 1 (2017) A Possible Extension of Henslowe’s and Alleyn’s Sussex Network? Abstract
Paul Quinn
 
Vol 3 (2000): Special Volume: The York Cycle Then and Now A Star Is Born: Staging Choices in The Nativity and The Shepherds Details   PDF
Michael B. Barbour, Susan Becker Barbour
 
Vol 10, No 2 (2007) A Theatrical Miracle: The Boxley Rood of Grace as Puppet Abstract   PDF
Leanne Groeneveld
 
Vol 10, No 1 (2007) A Year in the Life of Willliam Shakespeare: 1599 Details   PDF
James Shapiro (book author), Sister Lucia Treanor (review author)
 
Vol 19, No 2 (2016) Aaron’s Roots: Spaniards, Englishmen, and Blackamoors in Titus Andronicus Abstract
Noémie Ndiaye
 
Vol 16, No 1 (2013) Accidents Happen: Roger Barnes’s 1612 Edition of Marlowe’s Edward II Abstract   PDF
Mathew R. Martin
 
Vol 16, No 1 (2013) Actors and Acting in Shakespeare’s Time: The Art of Stage Playing Abstract   PDF
John H. Astington (book author), Eleanor Lowe (review author)
 
Vol 18, No 1 (2015) Advertisements Details
Author not applicable
 
Vol 16, No 2 (2013) Advertising Status and Legitimacy: or, Why Did Henry VIII’s Queens and Children Patronize Travelling Performers? Abstract   PDF
James H. Forse
 
Vol 20, No 1 (2017) Affective Inheritances Details
Lesel Dawson, Eric Langley
 
Vol 3 (2000): Special Volume: The York Cycle Then and Now Afterwards Details   PDF
Joel Kaplan
 
Vol 18, No 2 (2015) An Acoustical Approach to the Study of the Wagons of the York Mystery Plays: Structure and Orientation Abstract
Mariana Lopez
 
Vol 15, No 1 (2012): Special Issue: Access and Contestation: Women’s Performance in Early Modern England, Italy, France, and Spain Apocalyptic Shakespeare: Essays on Visions of Chaos and Revelation in Recent Film Adaptations Details   PDF
Melissa Croteau (book editor), Carolyn Jess-Cooke (book editor), Catherine Silverstone (review author)
 
Vol 6, No 2 (2003): Special Volume: Performance, Politics, and Culture in the Southwest of Britain,
1350-1642, Part 2
At the End of the Road: An Overview of Southwestern Touring Circuits Abstract   PDF
Sally-Beth MacLean
 
Vol 16, No 2 (2013) Aural Space, Sonorous Presence, and the Performance of Christian Community in the Chester Shepherds Play Abstract   PDF
Andrew Albin
 
Vol 8, No 1 (2005) Author's Pen and Actor's Voice: Playing and Writing in Shakespeare's Theatre Details   PDF
Robert Weimann (book author), Helen Higbee (book editor), William West (book editor), Ric Knowles (review author)
 
Vol 3 (2000): Special Volume: The York Cycle Then and Now Back to the Garden Again: Directing The Fall Details   PDF
Garrett P. J. Epp
 
Vol 9, No 1 (2006) Bawdily Manipulations: Spheres of Female Power in The Birth of Merlin Abstract   PDF
Monika Karpinska
 
Vol 19, No 2 (2016) Beds on the Early Modern Stage Abstract
Leslie Thomson
 
Vol 17, No 1 (2014) Ben Jonson and Envy Abstract   PDF
Lynn S. Meskill (book author), Jonathan Goossen (review author)
 
Vol 20, No 1 (2017) Ben Jonson, John Marston and Early Modern Drama: Satire and the Audience Details
Rebecca Yearling (book author), José A. Pérez Díez (review author)
 
Vol 17, No 2 (2014) Ben Jonson’s Eloquent Nonsense: The Noisy Ordeals of Heard Meanings on the Jacobean Stage (1609-14) Abstract   PDF
Hristomir A. Stanev
 
Vol 7, No 1 (2004) Better a Shrew Than a Sheep: Women, Drama, and the Culture of Jest in Early Modern England Details   PDF
Pamela Allen Brown (book author), Regina Buccola (review author)
 
Vol 15, No 1 (2012): Special Issue: Access and Contestation: Women’s Performance in Early Modern England, Italy, France, and Spain Between Courts: Female Masquers and Anglo-Spanish Diplomacy, 1603–5 Abstract   PDF
Mark Hutchings, Berta Cano-Echevarría
 
Vol 13, No 1 (2010) Bringing Richard Brome Online Abstract   PDF
Brett D. Hirsch
 
Vol 16, No 1 (2013) British Drama 1533–1642: A Catalogue. Volume I: 1533–1566 Abstract   PDF
Martin Wiggins (book author), Catherine Richardson (associate book author), Peter Happé (review author)
 
Vol 11, No 1 (2008) Charles Fitz-Geffry and the 'Wars of the Theatres' Abstract   PDF
James Doelman
 
Vol 13, No 2 (2010) Chester 2010: Creation and Judgment: Chester Heads South: ‘Octavian’ and ‘The Shepherds’ Details   PDF
Douglas W. Hayes, Garrett P. J. Epp (contributing editor)
 
Vol 13, No 2 (2010) Chester 2010: Creation and Judgment: Introduction: Creation to [to displays with a strikethrough in the print issue] and Judgment Abstract   PDF
Garrett P. J. Epp
 
Vol 13, No 2 (2010) Chester 2010: Creation and Judgment: Miracles and Marvels: A View from the Third Station Details   PDF
Dimitry A. Senyshyn, Garrett P. J. Epp (contributing editor)
 
Vol 13, No 2 (2010) Chester 2010: Creation and Judgment: Playing to the (Twenty-First Century) Crowd: On the Ground at Chester 2010 Abstract   PDF
Heather S. Mitchell, Garrett P. J. Epp (contributing editor)
 
Vol 13, No 2 (2010) Chester 2010: Creation and Judgment: Playing with Power: ‘The Trial, Flagellation, and Crucifixion’ Details   PDF
Dimitry A. Senyshyn, Garrett P. J. Epp (contributing editor)
 
Vol 13, No 2 (2010) Chester 2010: Creation and Judgment: ‘The Ascension’: Blood and Roses Abstract   PDF
Mary Elizabeth Ellzey, Garrett P. J. Epp (contributing editor)
 
Vol 13, No 2 (2010) Chester 2010: Creation and Judgment: ‘Your saviour nowe in your sight’: Vassar College’s ‘Coming of the Antichrist’ Details   PDF
Erin E. Kelly, Garrett P. J. Epp (contributing editor)
 
Vol 10, No 1 (2007) Children, Costume, and Identity in the Chester Midsummer Show Abstract   PDF
Susannah Crowder
 
Vol 10, No 1 (2007) Children of the Queen's Revels: A Jacobean Theatre Repertory Details   PDF
Lucy Munro (book author), David Nicol (review author)
 
Vol 11, No 2 (2008) Christopher Beeston and the Caroline Office of Theatrical 'Governor' Abstract   PDF
Christopher Matusiak
 
Vol 6, No 2 (2003): Special Volume: Performance, Politics, and Culture in the Southwest of Britain,
1350-1642, Part 2
Christopher Marlowe: A Renaissance Life Details   PDF
Constance Brown Kuriyama (book author), David Nicol (review author)
 
Vol 11, No 1 (2008) Christopher Marlowe: Poet & Spy Details   PDF
Park Honan (book author), Todd Andrew Borlik (review author)
 
Vol 19, No 1 (2016) Civic London to 1558 Details
Anne Lancashire (book editor), David J. Parkinson (book editor), Tracey Hill (review author)
 
Vol 19, No 1 (2016) Clowning and Authorship in Early Modern Theatre Details
Richard Preiss (book author), John H. Astington (review author)
 
Vol 7, No 1 (2004) Colonial Transformations: The Cultural Production of the New Atlantic World Details   PDF
Rebecca Ann Bach (book author), Eric Griffin (review author)
 
Vol 15, No 1 (2012): Special Issue: Access and Contestation: Women’s Performance in Early Modern England, Italy, France, and Spain Conniving Women and Superannuated Coquettes: Travestis and Caractères in the Early Modern French Theatre Abstract   PDF
Virginia Scott
 
Vol 13, No 1 (2010) Contents Details   PDF
Author not applicable
 
Vol 15, No 1 (2012): Special Issue: Access and Contestation: Women’s Performance in Early Modern England, Italy, France, and Spain Contents Details   PDF
Author not applicable
 
Vol 13, No 2 (2010) Contents Details   PDF
Author not applicable
 
Vol 14, No 1 (2011) Contents Details   PDF
Author not applicable
 
Vol 14, No 2 (2011): Special Issue: Circles and Circuits: Drama and Politics in the Midlands Contents Details   PDF
Author not applicable
 
Vol 15, No 2 (2012) Contents Details   PDF
Author not applicable
 
Vol 16, No 1 (2013) Contents Details   PDF
Author not applicable
 
Vol 16, No 2 (2013) Contents Details   PDF
Author not applicable
 
Vol 17, No 1 (2014) Contents Details   PDF
Author not applicable
 
Vol 17, No 2 (2014) Contents Details   PDF
Author not applicable
 
Vol 18, No 2 (2015) Contents Details
Author not applicable
 
Vol 18, No 1 (2015) Contents Details
Author not applicable
 
Vol 19, No 1 (2016) Contents Details
Author not applicable
 
Vol 19, No 2 (2016) Contents Details
Author not applicable
 
Vol 20, No 1 (2017) Contents Details
Author not applicable
 
Vol 7, No 1 (2004) Contributors Details   PDF
Author not applicable
 
Vol 11, No 1 (2008) Contributors Details   PDF
Author not applicable
 
Vol 10, No 2 (2007) Contributors Details   PDF
Author not applicable
 
Vol 8, No 2 (2005) Contributors Details   PDF
Author not applicable
 
Vol 1 (1998) Contributors Details   PDF
Author not applicable
 
Vol 7, No 2 (2004) Contributors Details   PDF
Author not applicable
 
Vol 6, No 2 (2003): Special Volume: Performance, Politics, and Culture in the Southwest of Britain,
1350-1642, Part 2
Contributors Details   PDF
Author not applicable
 
Vol 6, No 1 (2003): Special Volume: Performance, Politics, and Culture in the Southwest of Britain,
1350-1642
Contributors Details   PDF
Author not applicable
 
Vol 8, No 1 (2005) Contributors Details   PDF
Author not applicable
 
Vol 10, No 1 (2007) Contributors Details   PDF
Author not applicable
 
Vol 9, No 1 (2006) Contributors Details   PDF
Author not applicable
 
Vol 3 (2000): Special Volume: The York Cycle Then and Now Contributors Details   PDF
Author not applicable
 
Vol 5, No 1 (2002) Contributors Details   PDF
Author not applicable
 
Vol 2 (1999) Contributors Details   PDF
Author not applicable
 
Vol 4 (2001) Contributors Details   PDF
Author not applicable
 
Vol 5, No 2 (2002) Contributors Details   PDF
Author not applicable
 
Vol 9, No 2 (2006) Contributors Details   PDF
Author not applicable
 
Vol 11, No 2 (2008) Contributors Details   PDF
Author not applicable
 
Vol 12, No 1 (2009) Contributors Details   PDF
Author not applicable
 
Vol 12, No 2 (2009) Contributors Details   PDF
Author not applicable
 
Vol 13, No 1 (2010) Contributors Details   PDF
Author not applicable
 
Vol 15, No 1 (2012): Special Issue: Access and Contestation: Women’s Performance in Early Modern England, Italy, France, and Spain Contributors Details   PDF
Author not applicable
 
Vol 13, No 2 (2010) Contributors Details   PDF
Author not applicable
 
Vol 14, No 1 (2011) Contributors Details   PDF
Author not applicable
 
Vol 14, No 2 (2011): Special Issue: Circles and Circuits: Drama and Politics in the Midlands Contributors Details   PDF
Author not applicable
 
Vol 15, No 2 (2012) Contributors Details   PDF
Author not applicable
 
Vol 14, No 1 (2011) Cross-Gender Shakespeare and English National Identity: Wearing the Codpiece Details   PDF
Elizabeth Klett (book author), Jami Rogers (review author)
 
Vol 6, No 2 (2003): Special Volume: Performance, Politics, and Culture in the Southwest of Britain,
1350-1642, Part 2
Crossing County Boundaries: Sixteenth-Century Performance and Celebration in Yeovil, co. Somerset, and Sherborne, co. Dorset Abstract   PDF
Rosalind C. Hays
 
Vol 4 (2001) Daniel Rabel and the Grotesque Abstract   PDF
John A. Astington
 
Vol 16, No 1 (2013) Defining Tudor Drama Abstract   PDF
Kent Cartwright
 
Vol 12, No 1 (2009) Dekker’s Accession Pageant for James I Abstract   PDF
Anne Lancashire
 
Vol 1 (1998) Devising the Revels Abstract   PDF
W. R. Streitberger
 
Vol 9, No 1 (2006) Disowning Knowledge in Seven Plays by Shakespeare Details   PDF
Stanley Cavell (book author), David Schalkwyk (review author)
 
Vol 9, No 1 (2006) Distracted Subjects: Madness and Gender in Shakespeare and Early Modern Culture Details   PDF
Carol Thomas Neely (book author), Katharine Goodland (review author)
 
Vol 20, No 1 (2017) Doing Kyd: Essays on The Spanish Tragedy Details
Nicoleta Cinpoeş (book editor), Marianne Montgomery (review author)
 
Vol 13, No 1 (2010) Drama and Religion in English Provincial Society, 1485-1660 Details   PDF
Paul Whitfield White (book author), Jennifer Roberts-Smith (review author)
 
Vol 19, No 1 (2016) Dramatic Extracts in Seventeenth-Century English Manuscripts: Watching, Reading, Changing Plays Details
Laura Estill (book author), Douglas Bruster (review author)
 
Vol 13, No 2 (2010) Dramatists, Playing Companies, and Repertories. Romeo at the Rose in 1598 Abstract   PDF
Charles Cathcart, Tom Rutter (contributing editor)
 
Vol 13, No 2 (2010) Dramatists, Playing Companies, and Repertories. Actor, Poet, Playwright, Sharer … Rival? Shakespeare and Heywood, 1603–4 Abstract   PDF
Clare Smout, Tom Rutter (contributing editor)
 
Vol 13, No 2 (2010) Dramatists, Playing Companies, and Repertories. Introduction: The Repertory-Based Approach Abstract   PDF
Tom Rutter (author and contributing editor)
 
Vol 13, No 2 (2010) Dramatists, Playing Companies, and Repertories. Repertory and Riot: The Relocation of Plays from the Red Bull to the Cockpit Stage Abstract   PDF
Eleanor C. Collins, Tom Rutter (contributing editor)
 
Vol 13, No 2 (2010) Dramatists, Playing Companies, and Repertories. Will Kemp, Shakespeare, and the Composition of Romeo and Juliet Abstract   PDF
Elizabeth Ford, Tom Rutter (contributing editor)
 
Vol 12, No 2 (2009) Early Modern English Drama and the Islamic World. 'By Mortus Ali and our Persian gods': Multiple Persian Identities in Tamburlaine and The Travels of the Three English Brothers Abstract   PDF
Javad Ghatta, Linda McJannet (contributing editor)
 
Vol 12, No 2 (2009) Early Modern English Drama and the Islamic World. 'In th'armor of a Pagan knight': Romance and Anachronism East of England in Book V of The Faerie Queene and Tamburlaine Abstract   PDF
Justin Kolb, Linda McJannet (contributing editor)
 
Vol 12, No 2 (2009) Early Modern English Drama and the Islamic World. 'Now will I be a Turke': Performing Ottoman Identity in Thomas Goffe's The Courageous Turk Abstract   PDF
Joel Elliot Slotkin, Linda McJannet (contributing editor)
 
Vol 12, No 2 (2009) Early Modern English Drama and the Islamic World. Guy of Warwick, Godfrey of Bouillon, and Elizabethan Repertory Abstract   PDF
Annaliese Connolly, Linda McJannet (contributing editor)
 
Vol 12, No 2 (2009) Early Modern English Drama and the Islamic World. Islam and English Drama: A Critical History Abstract   PDF
Linda McJannet (author and contributing editor)
 
Vol 16, No 1 (2013) Early Modern Women in Conversation Abstract   PDF
Katherine R. Larson (book author), Sarah Johnson (review author)
 
Vol 18, No 2 (2015) Early Modern Women Theatre Makers. A Performance Studies Approach to The Tragedy of Mariam Abstract
Rebecca McCutcheon, Elizabeth Schafer (contributing editor)
 
Vol 18, No 2 (2015) Early Modern Women Theatre Makers. Daniel’s Cleopatra and Lady Anne Clifford: From a Jacobean Portrait to Modern Performance Abstract
Yasmin Arshad, Helen Hackett, Emma Whipday, Elizabeth Schafer (contributing editor)
 
Vol 18, No 2 (2015) Early Modern Women Theatre Makers. Performing The Tragedy of Mariam and Constructing Stage History Abstract
Ramona Wray, Elizabeth Schafer (contributing editor)
 
Vol 18, No 2 (2015) Early Modern Women Theatre Makers. Reproducing Iphigenia at Aulis Abstract
Alison Findlay, Elizabeth Schafer (contributing editor)
 
Vol 18, No 2 (2015) Early Modern Women Theatre Makers. Introduction: Attending to Early Modern Women as Theatre Makers Abstract
Elizabeth Schafer (author and contributing editor)
 
Vol 12, No 2 (2009) Early Theatre Essay Prizes 2009 Details   PDF
Author not applicable
 
Vol 14, No 1 (2011) Early Theatre Essay Prizes 2011 Details   PDF
Author not applicable
 
Vol 16, No 2 (2013) Early Theatre Essay Prizes 2013 Details   PDF
Author not applicable
 
Vol 14, No 1 (2011) Early Theatre: Special Issue on Women and Performance: June 2012 Details   PDF
Author not applicable
 
Vol 14, No 2 (2011): Special Issue: Circles and Circuits: Drama and Politics in the Midlands Early Theatre: Special Issue on Women and Performance: June 2012 Details   PDF
Author not applicable
 
Vol 7, No 1 (2004) Editorial Details   PDF
Helen Ostovich
 
Vol 11, No 1 (2008) Editorial Details   PDF
Helen Ostovich
 
Vol 8, No 2 (2005) Editorial Details   PDF
Helen Ostovich
 
Vol 1 (1998) Editorial Details   PDF
Helen Ostovich
 
Vol 10, No 2 (2007) Editorial Details   PDF
Helen Ostovich
 
Vol 10, No 1 (2007) Editorial Details   PDF
Helen Ostovich
 
Vol 9, No 1 (2006) Editorial Details   PDF
Helen Ostovich
 
Vol 3 (2000): Special Volume: The York Cycle Then and Now Editorial Details   PDF
Helen Ostovich
 
Vol 5, No 1 (2002) Editorial Details   PDF
Helen Ostovich
 
Vol 9, No 2 (2006) Editorial Details   PDF
Helen Ostovich
 
Vol 2 (1999) Editorial Details   PDF
Helen Ostovich
 
Vol 4 (2001) Editorial Details   PDF
Helen Ostovich
 
Vol 5, No 2 (2002) Editorial Details   PDF
Helen Ostovich
 
Vol 11, No 2 (2008) Editorial Details   PDF
Helen Ostovich, Melinda Gough
 
Vol 12, No 1 (2009) Editorial Details   PDF
Helen Ostovich, Melinda Gough
 
Vol 12, No 2 (2009) Editorial Details   PDF
Helen Ostovich, Melinda Gough
 
Vol 13, No 1 (2010) Editorial Details   PDF
Helen Ostovich, Melinda Gough
 
Vol 15, No 1 (2012): Special Issue: Access and Contestation: Women’s Performance in Early Modern England, Italy, France, and Spain Editorial Details   PDF
Helen Ostovich, Erin E. Kelly
 
Vol 13, No 2 (2010) Editorial Details   PDF
Helen Ostovich, Melinda Gough
 
Vol 14, No 1 (2011) Editorial Details   PDF
Helen Ostovich, Melinda Gough
 
Vol 14, No 2 (2011): Special Issue: Circles and Circuits: Drama and Politics in the Midlands Editorial Details   PDF
Helen Ostovich, Melinda Gough, Erin E. Kelly
 
Vol 15, No 2 (2012) Editorial Details   PDF
Helen Ostovich, Melinda J. Gough, Erin E. Kelly
 
Vol 16, No 1 (2013) Editorial Details   PDF
Helen Ostovich, Melinda J. Gough, Erin E. Kelly
 
Vol 16, No 2 (2013) Editorial Abstract   PDF
Helen Ostovich, Melinda J. Gough, Erin E. Kelly
 
Vol 17, No 1 (2014) Editorial Details   PDF
Helen Ostovich, Melinda J. Gough
 
Vol 17, No 2 (2014) Editorial Abstract   PDF
Helen Ostovich, Melinda Gough
 
Vol 18, No 2 (2015) Editorial Details
Helen Ostovich, Melinda Gough
 
Vol 18, No 1 (2015) Editorial Abstract
Helen Ostovich, Melinda J. Gough
 
Vol 19, No 1 (2016) Editorial Details
Helen Ostovich, Melinda J. Gough
 
Vol 19, No 2 (2016) Editorial Details
Helen Ostovich, Melinda J. Gough
 
Vol 20, No 1 (2017) Editorial Details
Helen Ostovich, Melinda J. Gough
 
Vol 6, No 1 (2003): Special Volume: Performance, Politics, and Culture in the Southwest of Britain,
1350-1642
Editorial: Special Volume: Performance, Politics, and Culture in the Southwest of Britain, 1350-1642 Details   PDF
Gloria J. Betcher
 
Vol 6, No 2 (2003): Special Volume: Performance, Politics, and Culture in the Southwest of Britain,
1350-1642, Part 2
Editorial: Special Volume: Performance, Politics, and Culture in the Southwest of Britain, 1350-1642, Part 2 Details   PDF
Gloria J. Betcher
 
Vol 19, No 2 (2016) Edward Greene, Goldsmith; William Marston, Apprentice; and Eastward Ho! Abstract
Charles Cathcart
 
Vol 18, No 1 (2015) Emulation on the Shakespearean Stage Abstract
Vernon Guy Dickson (book author), C. K. Ash (review author)
 
Vol 4 (2001) English Court Theatre 1558-1642 Details   PDF
John H. Astington (book author), William Ingram (review author)
 
Vol 7, No 1 (2004) English Professional Theatre, 1530-1660. Theatre in Europe: A Documentary History Details   PDF
Glynne Wickham (book editor), Herbert Berry (book editor), William Ingram (book editor), A. R. Braunmuller (review author)
 
Vol 4 (2001) Enter the Whole Army: A Pictorial Study of Shakespearean Staging, 1576-1616 Details   PDF
C. Walter Hodges (book author), Roslyn L. Knutson (review author)
 
Vol 14, No 2 (2011): Special Issue: Circles and Circuits: Drama and Politics in the Midlands Events and Texts: The Prologues and Epilogues of the Arbury Plays Abstract   PDF
Amy Scott
 
Vol 8, No 1 (2005) Every Man Out of His Humour Details   PDF
Ben Jonson (book author), Helen Ostovich (book editor), W. David Kay (review author)
 
Vol 8, No 1 (2005) Expanding the Political Nation: Gorboduc at the Inns of Court and Succession Revisited Abstract   PDF
Jessica Winston
 
Vol 13, No 1 (2010) Faustus and the Promises of the New Science, c. 1580-1730 Details   PDF
Christa Knellworth King (book author), Ian McAdam (review author)
 
Vol 12, No 1 (2009) Female Bodies, Speech, and Silence in The Witch of Edmonton Abstract   PDF
Sarah Johnson
 
Vol 10, No 2 (2007) Female Play-going and the Good Woman Abstract   PDF
David Mann
 
Vol 7, No 2 (2004) Food and Foreignness in Sir Thomas More Abstract   PDF
Joan Fitzpatrick
 
Vol 4 (2001) Fools and Jesters at the English Court Details   PDF
John Southworth (book author), Phebe Jensen (review author)
 
Vol 8, No 2 (2005) Foreign Affairs: The Search for the Lost Husband in Shakespeare's All's Well that Ends Well Abstract   PDF
Karen Bamford
 
Vol 18, No 2 (2015) From Court to Playhouse and Back: Middleton’s Appropriation of the Masque Abstract
Caroline Baird
 
Vol 15, No 2 (2012) From Subject to Earthly Matter: The Plowman’s Argument and Popular Discourse in Gentleness and Nobility Abstract   PDF
Rachel Greenberg
 
Vol 15, No 1 (2012): Special Issue: Access and Contestation: Women’s Performance in Early Modern England, Italy, France, and Spain Front Cover Details   PDF
Author not applicable
 
Vol 15, No 2 (2012) Front Cover Details   PDF
Author not applicable
 
Vol 16, No 1 (2013) Front Cover Details   PDF
Author not applicable
 
Vol 16, No 2 (2013) Front Cover Details   PDF
Author not applicable
 
Vol 17, No 1 (2014) Front Cover Details   PDF
Author not applicable
 
Vol 17, No 2 (2014) Front Cover Details   PDF
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Vol 18, No 2 (2015) Front Cover Details
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Vol 18, No 1 (2015) Front Cover Details
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Vol 19, No 1 (2016) Front Cover Details
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Vol 19, No 2 (2016) Front Cover Details
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Vol 20, No 1 (2017) Front Cover Details
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