Table of Contents
Front Matter
| Front matter | |
| Author not applicable | 1-6 |
| Contributors | |
| Author not applicable | 7-9 |
| Early Theatre Essay Prizes 2009 | |
| Author not applicable | 10 |
| Editorial | |
| Helen Ostovich, Melinda Gough | 11-13 |
Articles
| Miraculous Rhetoric: The Relationship between Rhetoric and Miracles in the York ‘Entry into Jerusalem’ | |
| Frank Napolitano | 15-31 |
| 'On yestern day, in Feverere, the yere passeth fully': On the Dating and Prosopography of Mankind | |
| John A. Geck | 33-56 |
| The Singing 'Vice': Music and Mischief in Early English Drama | |
| Maura Giles-Watson | 57-90 |
| A Dramaturgical Study of Merrythought's Songs in The Knight of the Burning Pestle | |
| Katrine K. Wong | 91-116 |
| Vengeance, Variously: Revenge Before Kyd in Early Elizabethan Drama | |
| Bradley J. Irish | 117-134 |
| 'The house is hers, the soul is but a tenant': Material Self-Fashioning and Revenge Tragedy | |
| Sheetal Lodhia | 135-161 |
| 'An honest dog yet': Performing The Witch of Edmonton | |
| Roberta Barker | 163-182 |
Issues in Review
| Early Modern English Drama and the Islamic World: Islam and English Drama: A Critical History | |
| Linda McJannet | 183-193 |
| Early Modern English Drama and the Islamic World: 'In th'armor of a Pagan knight': Romance and Anachronism East of England in Book V of The Faerie Queene and Tamburlaine | |
| Justin Kolb | 194-207 |
| Early Modern English Drama and the Islamic World: Guy of Warwick, Godfrey of Bouillon, and Elizabethan Repertory | |
| Annaliese Connolly | 207-222 |
| Early Modern English Drama and the Islamic World: 'Now will I be a Turke': Performing Ottoman Identity in Thomas Goffe's The Courageous Turk | |
| Joel Elliot Slotkin | 222-235 |
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