Table of Contents
Front Matter
| Front Matter | |
| Author not applicable | 1-6 |
| Editorial | |
| Helen Ostovich, Melinda Gough | 7-8 |
| Contributors | |
| Author not applicable | 9-11 |
| Performing the Queen's Men | |
| Author not applicable | 12 |
Articles
| New Sightings of Christopher Marlowe in London | |
| David Mateer | 13-38 |
| Christopher Beeston and the Caroline Office of Theatrical 'Governor' | |
| Christopher Matusiak | 39-56 |
| 'We pray you all ... to drink ere ye pass': Bann Criers, Parish Players, and the Henrician Reformation in England's Southeast | |
| Ernst Gerhardt | 57-88 |
| A Dog, a Witch, a Play: The Witch of Edmonton | |
| Meg F. Pearson | 89-111 |
Notes
| Staging Invisibility in English Early Modern Drama | |
| Barbara D. Palmer | 113-128 |
| 'Certain condolements, certain vails': Staging Rusty Armour in Shakespeare's Pericles | |
| Susan Harlan | 129-140 |
Issues in Review
| New Developments in Commedia Research: The Commedia dell'Arte: New Perspectives and New Documents | |
| M. A. Katritzky | 141-154 |
| New Developments in Commedia Research: Plates | |
| Author not applicable | 155-158 |
| New Developments in Commedia Research: An Icon for a New Woman: A Previously Unidentified Portrait of Isabella Andreini by Paolo Veronese | |
| Maria Ines Aliverti | 159-180 |
| New Developments in Commedia Research: New Perspectives on Language, Oral Transmission, and Multilingualism in Commedia dell'Arte | |
| Erith Jaffe-Berg | 198-211 |
| New Developments in Commedia Research: The Commedia all'improvviso Pictures in the Corsini Manuscript: A New Reading | |
| Stefano Mengarelli | 212-226 |
| New Developments in Commedia Research: Back to the Future: A Review of Comparative Studies in Shakespeare and the Commedia dell'Arte | |
| Robert Henke | 227-240 |
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