Table of Contents
Front Matter
| Front Matter | |
| Author not applicable | 1-6 |
| Editorial | |
| Helen Ostovich | 7-8 |
| Contributors | |
| Author not applicable | 9-10 |
Articles
| York Guilds and the Corpus Christi Plays: Unwilling Participants? | |
| Clifford Davidson | 11-33 |
| Napping in the Arbour in the Digby Mary Magdalene Play | |
| Joanne Findon | 35-55 |
| The Repertory of Prince Charles's (I) Company, 1608-1625 | |
| David Nicol | 57-72 |
| The Borrowed Expositor | |
| Michelle M. Butler | 73-90 |
Notes
| Ram Alley and Female Spectatorship | |
| Andrew Griffin | 91-97 |
Issues in Review
| Popular Theatre and the Red Bull: Governing the Pen to the Capacity of the Stage: Reading the Red Bull and Clerkenwell | |
| Lucy Munro | 99-113 |
| Popular Theatre and the Red Bull: Multi-day Performance and the London Clerkenwell Play | |
| Anne Lancashire | 114-129 |
| Popular Theatre and the Red Bull: Playing the Man: Acting at the Red Bull and the Fortune | |
| John H. Astington | 130-143 |
| Popular Theatre and the Red Bull: The Red Bull Repertory in Print, 1605–60 | |
| Marta Straznicky | 144-156 |
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