Vol 3 (2000)

Special Volume: The York Cycle Then and Now

Table of Contents

Front Matter

Front Matter
Author not applicable
PDF
1-6
Editorial
Helen Ostovich
PDF
7-8
Contributors
Author not applicable
PDF
9-13

Articles

Introduction
Alexandra F. Johnston
PDF
17-21
Peter Meredith
PDF
22-47
Eileen White
PDF
49-78
John McKinnell
PDF
79-104
Margaret Rogerson
PDF
105-125
Ralph Blasting
PDF
127-136
Martin W. Walsh
PDF
137-154
Pamela M. King
PDF
155-166
Richard Beadle
PDF
167-184
Alexandra F. Johnston
PDF
185-195

Notes

York Cycle 1998: What We Learned
Alexandra F. Johnston
PDF
199-204
Back to the Garden Again: Directing The Fall
Garrett P. J. Epp
PDF
205-209
A Star Is Born: Staging Choices in The Nativity and The Shepherds
Michael B. Barbour, Susan Becker Barbour
PDF
210-218
The Slaughter of the Innocents
Roland Reed
PDF
219-228
'Kick Ass and Take Names': Presenting the York Cycle's Christ Before Pilate as a Meditation on Power and Authority
Jonathan Herold
PDF
229-233
Reflections on The Resurrection
Karen Sawyer
PDF
234-239
Time, Meaning, and Transcendence: Directing The Incredulity of Thomas
Gwendolyn Waltz
PDF
240-248
The Ascension: Choreography of Ascent: Staging Images of Spirituality
Terri Cain
PDF
249-258
Historical Text and the Postmodern Aesthetic: Case Study of Handmade Performance's The Last Judgement
Stephen Johnson
PDF
259-274
Afterwards
Joel Kaplan
PDF
275-278

End Matter

Works Cited
Author not applicable
PDF
279-287