| Shakespeare Studies 29 |
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Leeds Barroll (journal editor), Susan Zimmerman (journal book review editor), Gillian Murray Kendall (review author) |
109-112 |
| The Tragedy of Mariam: The Fair Queen of Jewry |
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Elizabeth Cary (book author), Stephanie Hodgson-Wright (book editor), Nancy A. Gutierrez (review author) |
112-114 |
| The Culture of Playgoing in Shakespeare"s England: A Collaborative Debate |
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Anthony B. Dawson (book author), Paul Yachnin (book author), Douglas Bruster (review author) |
115-118 |
| Every Man Out of His Humour |
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Ben Jonson (book author), Helen Ostovich (book editor), W. David Kay (review author) |
118-122 |
| London Civic Theatre: City Drama and Pageantry from Roman Times to 1558 |
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Anne Lancashire (book author), Darryl Grantley (review author) |
122-125 |
| Shakespeare Remains: Theater to Film, Early Modern to Postmodern |
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Courtney Lehmann (book author), Stephen M. Buhler (review author) |
125-129 |
| Theatre and Empire: Great Britain on the London Stage under James VI and I |
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Tristan Marshall (book author), David Baker (review author) |
129-131 |
| Michaelmas Term |
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Thomas Middleton (book author), Gail Kern Paster (book editor), Paul Yachnin (review author) |
132-134 |
| Minstrels Playing. Music in Early English Religious Drama II |
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Richard Rastall (book author), Joanna Dutka (review author) |
135-136 |
| Marlowe's Soldiers: Rhetorics of Masculinity in the Age of the Armada |
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Alan Shepard (book author), Mario Digangi (review author) |
136-139 |
| The Acoustic World of Early Modern England: Attending to the O-Factor |
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Bruce R. Smith (book author), Alan H. Nelson (review author) |
140-145 |
| Author's Pen and Actor's Voice: Playing and Writing in Shakespeare's Theatre |
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Robert Weimann (book author), Helen Higbee (book editor), William West (book editor), Ric Knowles (review author) |
145-148 |
