Table of Contents
Front Matter
| Front Matter | |
| Author not applicable | 1-6 |
| Editorial | |
| Helen Ostovich | 7-8 |
| Contributors | |
| Author not applicable | 9-11 |
Articles
| The Kirk, the Burgh, and Fun | |
| John J. McGavin | 13-26 |
| Romeo and the Apothecary | |
| Dominick Grace | 27-38 |
| Henry Hardware's Moment and the Puritan Attack on Drama | |
| Robert Tittler | 39-54 |
| Devising the Revels | |
| W. R. Streitberger | 55-74 |
| The Waits of Lincolnshire | |
| James Stokes | 75-111 |
| Theatrical Citings and Bitings: Some References to Playhouses and Players in London Consistory Court Depositions, 1586-1611 | |
| Loreen L. Giese | 113-128 |
| Where Have All the Players Gone? A Chester Problem | |
| David Mills | 129-137 |
Issues in Review
| The York Cycle in Performance: Toronto and York | |
| Barbara Palmer | 139-143 |
| Context and Performance: The York Plays at Toronto | |
| David Bevington | 143-149 |
| Playing in all directions: The York Plays, Toronto | |
| Garrett Epp | 149-152 |
| The Toronto York Cycle: Design and Technical Display | |
| Ralph Blasting | 152-156 |
| Acting The Text: York Mystery Plays In York, 12 July 1998 | |
| David Mills | 156-159 |
| The Two Yorks: Playing in Toronto and York | |
| Peter Meredith | 160-163 |
| Addenda: The Play Lists | |
| Author not applicable | 164-169 |
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