Table of Contents
Front Matter
| Front Cover | |
| Author not applicable |
| Front Matter | |
| Author not applicable | 1-6 |
| Contents | |
| Author not applicable | 7-8 |
| Editorial | |
| Helen Ostovich, Erin E. Kelly | 9-10 |
| Contributors | |
| Author not applicable | 11-14 |
Articles
| Introduction: Access and Contestation: Women’s Performance in Early Modern England, Italy, France, and Spain | |
| Peter Parolin | 15-26 |
| Women and Performance in Medieval and Early Modern Suffolk | |
| James Stokes | 27-44 |
| ‘If I had begun to dance’: Women’s Performance in Kemps Nine Daies Wonder | |
| Peter Parolin | 45-64 |
| ‘In the sight of all’: Queen Elizabeth and the Dance of Diplomacy | |
| Bella Mirabella | 65-90 |
| Between Courts: Female Masquers and Anglo-Spanish Diplomacy, 1603–5 | |
| Mark Hutchings, Berta Cano-Echevarría | 91-108 |
| Marie de Medici’s 1605 ballet de la reine: New Evidence and Analysis | |
| Melinda J. Gough | 109-144 |
| ‘Cattle of this colour’: Boying the Diva in As You Like It | |
| Pamela Allen Brown | 145-166 |
| The Spanish Actress’s Art: Improvisation, Transvestism, and Disruption in Tirso’s El vergonzoso en palacio | |
| Amy L. Tigner | 167-190 |
| Conniving Women and Superannuated Coquettes: Travestis and Caractères in the Early Modern French Theatre | |
| Virginia Scott | 191-214 |
Book Reviews
| Apocalyptic Shakespeare: Essays on Visions of Chaos and Revelation in Recent Film Adaptations | |
| Melissa Croteau (book editor), Carolyn Jess-Cooke (book editor), Catherine Silverstone (review author) | 215-217 |
| Religion and Drama in Early Modern England: The Performance of Religion on the Renaissance Stage | |
| Jane Hwang Degenhardt (book editor), Elizabeth Williamson (book editor), Erin E. Kelly (review author) | 217-221 |
| How to Read a Shakespearean Play Text | |
| Eugene Giddens (book author), Brett D. Hirsch (review author) | 222-224 |
| Sacred Folly: A New History of the Feast of Fools | |
| Max Harris (book author), Abigail Ann Young (review author) | 224-226 |
| Labors Lost: Women’s Work and the Early Modern English Stage | |
| Natasha Korda (book author), Susan C. Frye (review author) | 227-230 |
| The Carole: A Study of a Medieval Dance | |
| Robert Mullally (book author), Emily F. Winerock (review author) | 230-233 |
| Supernatural Environments in Shakespeare’s England: Spaces of Demonism, Divinity, and Drama | |
| Kristen Poole (book author), Ian McAdam (review author) | 234-241 |
| Pastoral Drama and Healing in Early Modern Italy | |
| Federico Schneider (book author), Alexandra Coller (review author) | 241-244 |
| Women on the Stage in Early Modern France, 1540–1750 | |
| Virginia Scott (book author), Claire Sponsler (review author) | 245-248 |
| Shakespeare, the Queen’s Men, and the Elizabethan Performance of History | |
| Brian Walsh (book author), Peter Kuling (review author) | 248-250 |
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