Vol 15, No 1 (2012)

Special Issue: Access and Contestation: Women’s Performance in Early Modern England, Italy, France, and Spain

Table of Contents

Front Matter

Front Cover
Author not applicable
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Front Matter
Author not applicable
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1-6
Contents
Author not applicable
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7-8
Editorial
Helen Ostovich, Erin E. Kelly
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9-10
Contributors
Author not applicable
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11-14

Articles

Peter Parolin
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15-26
James Stokes
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27-44
Peter Parolin
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45-64
Bella Mirabella
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65-90
Mark Hutchings, Berta Cano-Echevarría
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91-108
Melinda J. Gough
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109-144
Pamela Allen Brown
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145-166
Amy L. Tigner
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167-190
Virginia Scott
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191-214

Book Reviews

Apocalyptic Shakespeare: Essays on Visions of Chaos and Revelation in Recent Film Adaptations
Melissa Croteau (book editor), Carolyn Jess-Cooke (book editor), Catherine Silverstone (review author)
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215-217
Religion and Drama in Early Modern England: The Performance of Religion on the Renaissance Stage
Jane Hwang Degenhardt (book editor), Elizabeth Williamson (book editor), Erin E. Kelly (review author)
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217-221
How to Read a Shakespearean Play Text
Eugene Giddens (book author), Brett D. Hirsch (review author)
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222-224
Sacred Folly: A New History of the Feast of Fools
Max Harris (book author), Abigail Ann Young (review author)
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224-226
Labors Lost: Women’s Work and the Early Modern English Stage
Natasha Korda (book author), Susan C. Frye (review author)
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227-230
The Carole: A Study of a Medieval Dance
Robert Mullally (book author), Emily F. Winerock (review author)
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230-233
Supernatural Environments in Shakespeare’s England: Spaces of Demonism, Divinity, and Drama
Kristen Poole (book author), Ian McAdam (review author)
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234-241
Pastoral Drama and Healing in Early Modern Italy
Federico Schneider (book author), Alexandra Coller (review author)
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241-244
Women on the Stage in Early Modern France, 1540–1750
Virginia Scott (book author), Claire Sponsler (review author)
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245-248
Shakespeare, the Queen’s Men, and the Elizabethan Performance of History
Brian Walsh (book author), Peter Kuling (review author)
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248-250