Table of Contents
Front Matter
| Front matter | |
| Author not applicable | 1-4 |
| Contents | |
| Author not applicable | 5-6 |
| Editorial | |
| Helen Ostovich, Melinda Gough | 7-9 |
| Early Theatre: Special Issue on Women and Performance: June 2012 | |
| Author not applicable | 10 |
| Contributors | |
| Author not applicable | 11-13 |
| Early Theatre Essay Prizes 2011 | |
| Author not applicable | 14 |
Articles
| The Animals in Chester’s Noah’s Flood | |
| Lisa J. Kiser | 15-44 |
| How to Get from A to B: Fulgens and Lucres, Histrionic Power, and the Invention of the English Comic Duo | |
| Rick Bowers | 45-59 |
| ‘Sette on foote with gode Wyll’: Towards a Reconstruction of Robin Hood and the Sheriff of Nottingham | |
| Alexis Butzner | 61-77 |
| The English Entertainment for the French Ambassadors in 1564 | |
| C. Edward McGee | 79-100 |
| Queen Elizabeth I’s Progress to Bristol in 1574: An Examination of Expenses | |
| Francis Wardell | 101-120 |
| The Seven Deadly Sins and Theatrical Apprenticeship | |
| David Kathman | 121-139 |
Book Reviews
| Staging Pain 1580–1800: Violence and Trauma in British Theater | |
| James Robert Allard (book editor), Mathew R. Martin (book editor), Lisa Dickson (review author) | 141-147 |
| Native Shakespeares: Indigenous Appropriations on a Global Stage | |
| Craig Dionne (book editor), Parmita Kapadia (book editor), Yolana Wassersug (review author) | 148-152 |
| Materializing Gender in Early Modern English Literature and Culture | |
| Will Fisher (book author), Emma Katherine Perry (review author) | 152-155 |
| Writing and Reading Royal Entertainments From George Gascoigne to Ben Jonson | |
| Gabriel Heaton (book author), Elizabeth Zeman Kolkovich (review author) | 156-158 |
| Thunder at a Playhouse: Essaying Shakespeare and the Early Modern Stage | |
| Peter Kanelos (book editor), Matt Kozusko (book editor), Helen Ostovich (review author) | 159-163 |
| Cross-Gender Shakespeare and English National Identity: Wearing the Codpiece | |
| Elizabeth Klett (book author), Jami Rogers (review author) | 163-166 |
| Shakespeare, Politics, and Italy: Intertextuality on the Jacobean Stage | |
| Michael J. Redmond (book author), Goran V. Stanivukovic (review author) | 166-168 |
| Romantic Actors and Bardolatry: Performing Shakespeare from Garrick to Kean | |
| Celestine Woo (book author), Fiona Ritchie (review author) | 169-172 |
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