Table of Contents
Front Matter
| Front Cover | |
| Author not applicable |
| Front Matter | |
| Author not applicable | 1-3 |
| Contents | |
| Author not applicable | 5-6 |
| Editorial | |
| Helen Ostovich, Melinda J. Gough, Erin E. Kelly | 7-8 |
| Contributors | |
| Author not applicable | 9-12 |
Articles
| From Subject to Earthly Matter: The Plowman’s Argument and Popular Discourse in Gentleness and Nobility | |
| Rachel Greenberg | 13-42 |
| John Cholmley on the Bankside | |
| William Ingram | 43-65 |
| Reinstating Shakespeare’s Instrumental Music | |
| David Mann | 67-91 |
| Saying Farewell with Shoes: The Gift Cycle and Unresolved Class Tensions in The Shoemaker’s Holiday | |
| Andrea C. Lawson | 93-110 |
| Staging Exchange: Why The Knight of the Burning Pestle Flopped at Blackfriars in 1607 | |
| Brent E. Whitted | 111-130 |
| The Raw and the Cooked in Ford’s ’Tis Pity She’s a Whore | |
| Mathew R. Martin | 131-146 |
Issues in Review
| Theatre and the Reformation of Space in Early Modern Europe: Introduction: Playing with Space in the Early Modern Theatre | |
| Paul Yachnin | 147-153 |
| Theatre and the Reformation of Space in Early Modern Europe: Theatre of Judgment: Space, Spectators, and the Epistemologies of Law in Bartholomew Fair | |
| Andrew Brown, Paul Yachnin (contributing editor) | 154-167 |
| Theatre and the Reformation of Space in Early Modern Europe: ‘The Hole in the Wall’: Sacred Space and ‘Third Space’ in The Family of Love | |
| Helga L. Duncan, Paul Yachnin (contributing editor) | 167-179 |
| Theatre and the Reformation of Space in Early Modern Europe: Performance, Print, and the Senses: Aretino and the Spaces of the City | |
| Marlene Eberhart, Paul Yachnin (contributing editor) | 179-192 |
| Theatre and the Reformation of Space in Early Modern Europe: ‘What makes thou upon a stage?’: Child Actors, Royalist Publicity, and the Space of the Nation in the Queen’s Men’s True Tragedy of Richard the Third | |
| Jennifer Roberts-Smith, Paul Yachnin (contributing editor) | 192-205 |
| Theatre and the Reformation of Space in Early Modern Europe: ‘The Great Choreographer’: Embodying Space in Fuenteovejuna | |
| Laura L. Vidler, Paul Yachnin (contributing editor) | 205-219 |
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